Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
But though she smiled but rarely, the beauty of Pomponia was
exquisite from her look of serenity and contentment. She was unlike
the other ladies of Roman society. She never tinged her face with
walnut juice, or painted it with rouge and cerussa, or reared her
tresses into an elaborate edifice of curls, or sprinkled them with
gold dust, or breathed of Assyrian odours. Her life and her dress
were exquisitely simple. She wore no ornaments, or few. She rarely
appeared at any banquet, and then only with her husband at the houses
of the graver and more virtuous senators. Vice was involuntarily
abashed at her presence. The talk which Roman matrons sometimes
did not blush to hear was felt to be impossible where Pomponia was
present, nor would any one have dreamed of introducing loose gymnasts
or Gaditanian dancers as the amusement of any guests of whom she was
one. Hence she was more and more neglected by the jewelled dandies
and divorced ladies, who fluttered amid the follies of a heartless
aristocracy, and gradually the gossiping pleasure-hunters of
Rome came to hate her because her whole life was a rebuke of
the degradation of a corrupt society.
Hatred soon took the form of whispered accusations. The suspicion
was first broached by Calvia Crispinilla, a lady whose notoriously
evil character elevated her high in the confidence of Nero, and who,
in spite of her rank, was afterwards proud of the infamy of being
appointed keeper of the wardrobe of his favourite Sporus.
Talking one day to Ælia Petina, a divorced wife of Claudius and
mother of his daughter Antonia, she expressed her dislike of
Pomponia, and said, ‘It is impossible that any worshipper of our
gods should live a life so austere as Pomponia’s. Hark, in your ears,
Petina. She must be’--and sinking her voice to a tragic whisper she
said--‘she must be a secret Christian.’
‘Well,’ said Petina, ‘what does it matter? Nero himself worships the
Syrian goddess, and they say that the lovely Poppæa Sabina, the wife
of Otho, is a Jewess.’
‘A Jewess! oh, that is comparatively respectable,’ said Crispinilla.
‘Why, Berenice, the charming sister--ahem! the very deeply attached
sister--of Agrippa, you know, is a Jewess; and what diamonds that
woman has! But a Christian! Why, the very word has a taint of
vulgarity about it, and leaves a bad flavour in the mouth! None but
unspeakable slaves and cobblers and Phrygian runaways belong to those
worshippers of the god Onokoites and the head of an ass.’[18]
Public-domain text, read in full here on John Shaqi.
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