Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
When once there, Onesimus had not the wisdom to behave as young
Alypius did three centuries later, and to close his eyes. On the
contrary, he caught fire, almost from the first moment, with the wild
excitement, and returned home paganised in every fibre of his being
by the horrid voluptuous maddening scene which he had witnessed--in
which he had taken part. All that was sweet and pure and tender in
the lessons which he had learnt in the house of Philemon seemed to
have been swept away for the time in that crimson tide of blood, in
that demoniac spectacle of strong men sacrificed as on a Moloch-altar
for the amusement of the idle populace. The more splendid the agility
of the nets-man, the more brawny the muscles of the Samnite, the
more dazzling the sweep of the mirmillo’s steel, the more vivid was
the excitement of watching the glazing eye and ebbing life. It was
thrilling to see the supreme moments and most unfathomed mysteries
of existence turned into the spectacle of a holiday; and even to help
in deciding by the movement of a thumb whether some blue-eyed German
from the Teutobergian forests should live or die. What wonder was it
that waves of emotion swept over the assembled multitude as the gusts
of a summer tempest sweep over the waving corn? What wonder that
the hearts of thousands, as though they were the heart of one man,
throbbed together in fierce sympathy, and became like a wild Æolian
harp, of which the strings were beaten into murmurs or shrieks or
sobs by some intermittent hurricane? In the concentrated passion
of those hours, when every pulse leapt and tingled with excitement,
the youth seemed to live through years in moments; his whole being
palpitated with a delicious horror, which annihilated all the
ordinary interests of life. Here, for the mere dissipation of time,
the most consummate tragedies were enacted as part of a scenic
display. The spasms of anguish and the heroism of endurance were
but the passing incidents of a gymnastic show.
When Onesimus returned to his cell that night he was a changed
being. For a long time he could not sleep, and when he did sleep
the tumult of the arena still rolled through his troubled dreams.
His fellow-slaves, long familiar with such games, were amused to hear
him start up from his pallet with shouts of _Habet! Occide! Verbera!_
and all the wild cries of the amphitheatre, and from these bloodshot
dreams he would awake panting as from a nightmare, while the chant of
the gladiators, _Ave, Cæsar! Morituri te salutamus_, still woke its
solemn echoes in his ears.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account