Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
Nero--slight boy as she thought him--had hardly been seated on the
throne when he began to slip out of her control. Pallas, her secret
lover, her chief supporter, was speedily ejected and disgraced.
Seneca and Burrus were both opposed to her influence, and neither
of them dreaded her vengeance. Suitors for favours were more anxious
to secure the intercession of Acte than hers. Nero, surrounded by
dissolute young aristocrats, and also by adventurers, buffoons and
parasites, was daily showing himself more indifferent to her threats,
her commands, even her reasonable wishes. He liked to parade his
new-born freedom. She felt sure that among the circle of his familiar
companions, she and her pretensions were turned into ridicule. Her
proud cheek flushed even in solitude to think that she, who, for
Nero’s sake, had dared all, should have been superseded in her
influence by such curled and jewelled weaklings as Otho, and ousted
from her son’s affections by a meek freedwoman like Acte. How
terribly had she miscalculated! In the reign of Claudius she had
been the mightiest person in the Court and in the State. Had she
become the murderess of her husband only to transfer from herself
into the hands of men whom she despised too much to hate, the power
which was once her own? Had she flung away the substance and only
grasped a flickering shadow?
A thousand plans of revenge crossed her mind, only to be rejected.
The die was cast. The deeds done were irrevocable. It only remained
for her to dree the judgment for her crimes, and to take such few
steps as still were possible to her along the precipice’s edge.
She had plucked a tempting fruit, and she found that its taste was
poison; she had nursed a serpent in her bosom, and its sting was
death.
But she would not resign her power without at least one mad struggle
to retain it. She still had access to the Emperor whenever she
desired, and many a wild scene had occurred between the mother
and the son. In such interviews she let her tongue run riot. She
refrained from nothing. She no longer attempted to conceal from him
that Claudius had died by her hand. She wrapped the youth round in
the whirlwind of her sulphurous passion; she raised her voice so
loud in a storm of reproaches and recriminations that sometimes
even the freedmen and soldiers outside the imperial apartments heard
the fierce voices of altercation, and were in doubt whether they
should not rush in and interfere. And often the feeble nature of
Nero cowered before her menaces as she poured on him a flood of
undisguised contempt. Sometimes she wrapped him in a storm of satire
and sarcasm. She upbraided him with his unmanliness; she contrasted
him unfavourably with Britannicus; she told him that he was more
fit to be an actor of melodrama, or a tenth-rate charioteer, or a
fiftieth-rate singer, than to be the Emperor of Rome.
Public-domain text, read in full here on John Shaqi.
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