Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
But as she gazed at it with a sort of fascination, she was seized
by one of the violent reactions of feeling which often sweeps over
a mind untrained in the control of its passions. It brought before
her the image of a little boy, whose sweet and sunny face looked
the picture of engaging innocence; whose golden hair, when it caught
the sunlight, shone like an aureole round his head; whose blue eyes
danced with childish glee at the sight of what was beautiful; to whom
his mother was all in all; who had often flung his arms round her
neck, in joy and in sorrow, with the fondness of a loving child. That
child stood before her--through her crimes Emperor of Rome. He stood
there, hateful and hating her--on his lips the flickering smile of
mockery; on his once bright forehead the scowl of anger. Yet whom
had she in all the world besides? Her father had been murdered; her
mother murdered; three of her brothers murdered; her sisters were
dead, and had died in shame; her first husband dead; two others of
her husbands poisoned--and by her; her lovers dead, or banished far
away. She knew that a chaos of hatred yawned wide and deep around
her; she knew that in all the wide world no single person, except
possibly one or two of her freedmen, cared for her. In her agony,
in her loneliness, she had tried of late to win something like
forgiveness, something like tolerance, if not affection, from the
deeply injured Britannicus and Octavia. She pitied the sorrows and
wrongs which she had herself inflicted on them. She had even learnt
to admire some gracious quality in them both, for which she could
find no name. But, alas! she soon found that, while they were perfect
in courtesy, they could never love her. The life, the affection of
her son was the sole thing left her; and he was turning against her
with a feeling akin to loathing stamped upon his face.
All these thoughts rushed over her mind like a tornado. Unable to
bear them, she ended the interview by a passion of uncontrollable
weeping. And, as she wept, she held out her appealing arms to her
son, and wailed:
‘Oh, Nero, forgive my wild words. Whom have we but one another? In
this drowning sea must we not sink or rise together? My son! my son!
your mother pleads with you. Forgive me--kiss me; let Agrippina feel
once more that she has the love of the son for whose sole sake she
has lived--for whom she would gladly die!’
Public-domain text, read in full here on John Shaqi.
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