The lodges themselves made no pretence to the Cæsarean magnificence of the Palace at Rome. But their simplicity did not exclude the exercise of luxurious taste in their construction and adornment. All the rooms were brightened with lovely frescoes painted by the most famous rhyparographists. On the walls of the richer apartments there were orbs of porphyry and lapis lazuli. The impluvium, into which fell the ceaseless plash of a musical fountain, was a basin of Thasian stone, once a rarity even in temples, and the stop which regulated the play of the water was formed into the winged figure of a child moulded in silver. In the centre of the hall, which was tessellated with small pieces of blue and white marble, there was an exquisite copy of the doves of Scopas. Statues by such masters as Myron and Praxiteles stood between the pillars of the peristyle. The windows were filled with glass, and between them were abaci of peacock-marble, supported on the gilded wings of Cupids, and of griffins which looked in opposite directions. On these slabs of marble stood some of the gold and silver plate which Augustus had ordered to be made out of the statuettes of precious metals which had been erected to him by too-adulatory provincials. On other tables of ivory and fragrant woods lay engraved gems and cameos, or curiosities, brought from all lands. The walls of the small but precious library were covered, in imitation of the famous library of Apollo, with medallions of the most famous Greek and Roman authors in repoussé work of gold and silver, or moulded of Corinthian bronze. Poets, historians, jurists, orators were grouped together, and between the groups were framed specimens of the most exquisite palæography. Nero was going for the first time to take possession of this enchanting retreat, the loveliness of which had kindled the surprise and admiration of the few who had seen it. He started from Rome with a splendid retinue. He himself rode in a light car, inlaid with ivory and silver, and was followed by an army of a thousand slaves and retainers. One of the earliest lessons which he learnt was that his resources were practically boundless, so that from the first he broke out into unheard-of extravagance. His mules were shod with silver. The muleteers were dressed in liveries of Canusian wool, dyed scarlet. The runners in front of his chariot, and the swarthy cohort of outriders from Mazaca in Numidia, selected for their skill in horsemanship, were adorned with bracelets and trappings of gold. The more delicate slaves had their faces covered with masks, or tinged with cosmetics, lest their complexions should suffer from the sunlight. Many of the slaves had no other office than to carry, with due care, the lyres and other musical instruments which were required for the theatrical entertainments.