Blind -- Fiction; Guardian and ward -- Fiction; Love stories; Marriage -- Fiction; Mental illness -- Fiction
Edith knew her in a moment from the resemblance to the
daguerreotype seen more than eight years before, and as she now
scanned her features it seemed to her they had scarcely changed at
all. Arthur had said of her then that she was not quite sixteen,
consequently she was now nearly twenty-five, but she did not look
as old as Edith, so slight was her form, so delicate her limbs,
and so childlike and simple the expression of her face. She was
very, very fair, and Edith felt that never before had she looked
upon a face so exquisitely beautiful. Her hair was of a reddish-
yellow hue, and rippled in short silken rings all over her head,
curling softly in her neck, but was not nearly as long as it had
been in the picture. Alas, the murderous shears had more than once
strayed roughly among those golden locks, to keep the little
white, fat hands, now clasped so harmlessly together, from tearing
them out with frantic violence. Edith thought of this and sighed,
while her heart yearned toward the helpless young creature, who
stood regarding her with a scrutinizing glance, as one studies a
beautiful picture. The face was very white--indeed, it seemed as
if it were long since the blood had visited the cheeks, which,
nevertheless, were round and plump, as were the finely moulded
arms, displayed to good advantage by the loose sleeves of the
crimson cashmere wrapper. The eyes were deeply, darkly blue, and
the strangely gleaming light which shone from them, betrayed at
once the terrible truth that Nina was crazed.
It was a novel sight, those two young girls watching each other so
intently, both so beautiful and yet so unlike--the one, tall,
stately, and almost queen-like in her proportions, with dark,
brilliant complexion; eyes of midnight blackness, and masses of
raven hair, bound around her head in many a heavy braid--the
other, fairy-like in size, with golden curls and soft blue eyes,
which filled with tears at last as some undefinable emotion swept
over her. In the rich, dark beauty of Edith's face there was a
wonderful fascination, which riveted the crazy girl to the spot
where she had stopped when first she crossed the threshold, and
when at last, sinking upon the sofa, Edith extended her arms, as a
mother to her child, poor little Nina went forward, and with a
low, gasping sob, fell upon her bosom, weeping passionately, her
whole frame trembling and her sobs so violent that Edith became
alarmed, and tried by kisses and soft endearing words to soothe
her grief and check the tears raining in torrents from her eyes.
"It's nice to cry. It takes the heavy pain away," and Nina made a
gesture that Edith must not stop her, while Arthur, roused from
his apathy, also said,
"She has not wept before in years. It will be a great relief."
Public-domain text, read in full here on John Shaqi.
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