Darkwater: Voices from Within the VeilDu Bois, W. E. B. (William Edward Burghardt)
General
Darkwater: Voices from Within the Veil
Du Bois, W. E. B. (William Edward Burghardt)
African Americans; United States -- Race relations
The audience was framed in smoke. It rose ghost-like out of
memories--bitter memories of the officer near dead of pneumonia whose
pain was lighted up by the nurses waiting to know whether he must be
"Jim-Crowed" with privates or not. Memories of that great last morning
when the thunders of hell called the Ninety-second to its last drive.
Memories of bitter humiliations, determined triumphs, great victories,
and bugle-calls that sounded from earth to heaven. Like memories framed
in the breath of God, my audience peered in upon me--good, brown faces
with great, kind, beautiful eyes--black soldiers of America rescuing
beloved France--and the words came in praise and benediction there in
the "Y," with its little stock of cigarettes and candies and its rusty
wood stove.
"_Alors_," said Madame, "_quatre sont morts_"--four dead--four tall,
strong sons dead for France--sons like the sweet and blue-eyed daughter
who was hiding her brave smile in the dusk. It was a tiny stone house
whose front window lipped the passing sidewalk where ever tramped the
feet of black soldiers marching home. There was a cavernous wardrobe, a
great fireplace invaded by a new and jaunty iron stove. Vast, thick
piles of bedding rose in yonder corner. Without was the crowded kitchen
and up a half-stair was our bedroom that gave upon a tiny court with
arched stone staircase and one green tree. We were a touching family
party held together by a great sorrow and a great joy. How we laughed
over the salad that got brandy instead of vinegar--how we ate the golden
pile of fried potatoes and how we pored over the post-card from the
Lieutenant of the Senegalese--dear little vale of crushed and risen
France, in the day when Negroes went "over the top" at Pont-a-Mousson.
* * * * *
Paris, Paris by purple facade of the opera, the crowd on the Boulevard
des Italiens and the great swing of the Champs Elysees. But not the
Paris the world knows. Paris with its soul cut to the core--feverish,
crowded, nervous, hurried; full of uniforms and mourning bands, with
cafes closed at 9:30--no sugar, scarce bread, and tears so interwined
with joy that there is scant difference. Paris has been dreaming a
nightmare, and though she awakes, the grim terror is upon her--it lies
on the sand-closed art treasures of the Louvre. Only the flowers are
there, always the flowers, the Roses of England and the Lilies of
France.
* * * * *
New York! Behind the Liberty that faces free France rise the white
cliffs of Manhattan, tier on tier, with a curving pinnacle, towers
square and twin, a giant inkwell daintily stoppered, an ancient pyramid
enthroned; beneath, low ramparts wide and mighty; while above,
faint-limned against the turbulent sky, looms the vast grace of that
Cathedral of the Purchased and Purchasing Poor, topping the world and
pointing higher.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account