It is very suggestive that similar strange movements are performed by many birds which have no ornamental plumage to display. Goatsuckers, geese, carrion vultures, and many other birds of plain plumage have been observed to dance, spread their wings or tails, and perform strange love-antics. The courtship of the great albatross, a most unwieldy and dull coloured bird, has been thus described by Professor Moseley: "The male, standing by the female on the nest, raises his wings, spreads his tail and elevates it, throws up his head with the bill in the air, or stretches it straight out, or forwards, as far as he can, and then utters a curious cry."[127] Mr. Jenner Weir informs me that "the male blackbird is full of action, spreads out his glossy wing and tail, turns his rich golden beak towards the female, and chuckles with delight," while he has never seen the more plain coloured thrush demonstrative to the female. The linnet distends his rosy breast, and slightly expands his brown wings and tail; while the various gay coloured Australian finches adopt such attitudes and postures as, in every case, to show off their variously coloured plumage to the best advantage.[128] _A Theory of Animal Coloration._ Having rejected Mr. Darwin's theory of female choice as incompetent to account for the brilliant colours and markings of the higher animals, the preponderance of these colours and markings in the male sex, and their display during periods of activity or excitement, I may be asked what explanation I have to offer as a preferable substitute. In my _Tropical Nature_ I have already indicated such a theory, which I will now briefly explain, supporting it by some additional facts and arguments, which appear to me to have great weight, and for which I am mainly indebted to a most interesting and suggestive posthumous work by Mr. Alfred Tylor.[129] The fundamental or ground colours of animals ar has been shown in preceding chapters, very largely protective, and it is not improbable that the primitive colours of all animals were so. During the long course of animal development other modes of protection than concealment by harmony of colour arose, and thenceforth the normal development of colour due to the complex chemical and structural changes ever going on in the organism, had full play; and the colours thus produced were again and again modified by natural selection for purposes of warning, recognition, mimicry, or special protection, as has been already fully explained in the preceding chapters.