Daughter of the Sun: A Tale of AdventureGregory, Jackson
Science
Daughter of the Sun: A Tale of Adventure
Gregory, Jackson
Adventure stories; Fantasy fiction; Science fiction; Western stories
Presently he saw where it was that Zoraida was conducting him. He
remembered the dim ante-room in which they paused a moment while
Zoraida fastened the door behind them; then, the curtain thrown aside,
they were again in that barbaric, tapestry-hung chamber in which, the
first night here, he had been brought before her. As before the ruby
upon the thin crystal stem shone like a burning red eye.
Now, for the first time since they had turned away from the golden
Tezcucan's treasure chamber, was Kendric given a full, clear view of
Zoraida's face. During their progress many thoughts had come and gone
swiftly through his mind; now as they two stood looking steadily at
each other, he realized clearly that one matter and one alone had
occupied her. No abatement of cruelty had come into her long eyes; no
flush of color had swept away the cold whiteness of her cheek. She was
set in a merciless determination, relentlessly hard; the colorless face
resulted from a frozen heart. Before now Kendric had seen murder
staring out of a man's widened eyes; now he saw it in a woman's.
For the instant only she had looked at him as though she were probing
into his secret thought and there swept over him the old, disquieting
sensation that each thought in his mind lay as clear to her look as a
white pebble in a sunlit pool. Then her eyes passed on, beyond him.
He turned and saw the hangings parted at that spot where Zoraida had
appeared to him that other time; one of the brutish, squat forms which
Kendric remembered, stood in the opening.
Zoraida spoke with the man swiftly, her voice hard and sharp. A quick
change came into the heavy, thick-lipped face; the stupid eyes
brightened; the face was distorted as by some hideous anticipation.
Zoraida ended what she had to say; the man spoke gutturally, nodding
his head. Then he dropped the curtain and was gone.
Zoraida went to her black chair with the crystal balls for feet and sat
stiffly, her ringed fingers tapping restlessly upon the wide arms.
Presently the man returned, carrying a wide flat box. Thereafter,
while Zoraida watched him impatiently, he occupied himself after a
fashion which Kendric found inexplicable. From the box the man took a
number of rectangular mirrors, fine clear glass framed with thin bands
of ebony. Deftly, into a groove made in the back of each mirror, he
slipped the end of a tall ebony rod. Then he rolled back the heavy rug
from two thirds of the floor. The floor was of stone, laid fancifully
in colored mozaic; here and there, seemingly placed utterly at random,
were smooth round holes in the stone blocks. Into each hole the haft
of one of the rods was thrust so that when the man stepped back to
survey his handiwork there was a little forest of mirrors on glistening
stems grown up in apparent lack of design, like young pines on a
tableland.
Public-domain text, read in full here on John Shaqi.
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