Davenport Dunn, a Man of Our Day. Volume 1 (of 2)Lever, Charles
General
Davenport Dunn, a Man of Our Day. Volume 1 (of 2)
Lever, Charles
Aristocracy (Social class) -- Great Britain -- Fiction; Capitalists and financiers -- Fiction
“The very thing, Gusty,--the very thing. Why, there are women with
breeding enough to be maids of honor, and learning sufficient for a
professor, whose expectations never rise beyond a paltry hundred a
year--what am I saying?--sixty or seventy are nearer the mark. Now for
it, Gusty. Make this object the substance of your letter. You can
have no difficulty in describing what will suit us. We live in
times, unfortunately, when people of birth and station are reduced
to straitened circumstances on every hand. It reminds me of what poor
Hammersley used to say,--'Do you observe,' said he, 'that whenever
there's a great smash on the turf, you 'll always see the coaches horsed
with thoroughbreds for the next year or two!'”
“A very unfeeling remark, if it mean anything at all.” “Never mind.
Write this letter, and say at the foot of it, 'We should be much pleased
if, in your journeys 's out'--he's always coming down to Cork and the
neighborhood--you could give us a few days at Glengariff Hermitage. My
father has certain communications to make to you, which he is confident
would exempt your visit from the reproach of mere idleness.' He'll take
that; the fellow is always flattered when you seem impressed by the
immensity of his avocations!” And with a hearty chuckle at the weakness
he was triumphing over, the old Lord left the room, while his daughter
proceeded to compose her letter.
CHAPTER XXIX. A MORNING AT OSTEND.
It would never have occurred to the mind of any one who saw Annesley
Beecher and Davis, as they sat at breakfast together in Ostend, that
such a scene as we have described could have occurred between them. Not
only was their tone frank and friendly with each other, but a gay
and lively spirit pervaded the conversation, and two seemingly more
light-hearted fellows it were hard to find.
As the chemist is able by the minutest drop, an almost imperceptible
atom of some subtle ingredient, to change the properties of some vast
mass, altering color and odor and taste at once, so did the great artist
Grog Davis know how to deal with the complicated nature of Beecher,
that he could at any moment hurl him down into the blackest depths of
despair, or elevate him to the highest pinnacle of hope and enjoyment.
The glorious picture of a race-course, with all its attendant rogueries,
betting-stands crammed with “fats,” a ring crowded with “green-horns,”
was a tableau of which he never wearied. Now, this was a sort of
landscape Grog touched off neatly. All the figures he introduced were
life-studies, every tint and shade and effect taken carefully from
nature. With a masterly hand he sketched out a sort of future campaign,
artfully throwing Beecher himself into the foreground, and making him
fancy that he was in some sort necessary to the great events before
them.
“Mumps did not touch his hock, I hope, when he kicked there?” asked
Beecher.
Public-domain text, read in full here on John Shaqi.
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