The little Hermitage of Glengariff, with its wooded park, its winding river, its deep solitudes fragrant with wild-rose and honeysuckle, is familiar to my reader. He has lingered there with me, strolling through leafy glades, over smooth turf, catching glimpses of blue sea through the dark foliage, and feeling all the intense ecstasy of a spot that seemed especially created for peaceful enjoyment. What a charm was in those tangled pathways, overhung with jessamine and arbutus, or now flanked by moss-clad rock, through whose fissures small crystal rivulets trickled slowly down into little basins beneath. How loaded the air with delicious perfume; what a voluptuous sense of estrangement from all passing care crept over one as he stole noiselessly along over the smooth sward, and drank in the mellow blackbird's note, blended with the distant murmur of the rippling river! And where is it all now? The park is now traversed in every direction with wide, unfinished roads; great open spaces appear at intervals, covered with building materials; yawning sand-quarries swarming with men; great brick-fields smoking in all the reeking oppression of that filthy manufacture; lime-kilns spreading their hateful breath on every side; vast cliffs of slate and granite-rock, making the air resound with their discordant crash, with all the vulgar tumult of a busy herd. If you turn seaward, the same ungraceful change is there: ugly and misshapen wharfs have replaced the picturesque huts of the fishermen; casks and hogsheads and bales and hampers litter the little beach where once the festooned net was wont to hang, and groups of half-drunken sailors riot and dispute where once the merry laugh of sportive childhood was all that woke the echoes. If the lover of the picturesque could weep tears of bitter sorrow over these changes, to the man of speculation and progress they were but signs of a glorious prosperity. The Grand Glengariff Villa Allotment and Marine Residence Company was a splendid scheme, whose shares were eagerly sought after at a high premium. Mr. Dunn must assuredly have lent all his energies to the enterprise, for descriptions of the spot were to be found throughout every corner of the three kingdoms. Colored lithographs and stereoscopes depicted its most seductive scenes through the pages of popular “weeklies,” and a dropping fire of interesting paragraphs continued to keep up the project before the public through the columns of the daily press. An “Illustrated News” of one week presented its subscribers with an extra engraving of the “Yachts entering Glengariff harbor after the regatta;” the next, it was a finished print of the “Lady Augusta Arden laying the foundation-stone of the Davenport Obelisk.” At one moment the conflict between wild nature and ingenious art would be shown by a view of a clearing in Glengariff forest, where the solid foundations of some proud edifice were seen rising amidst