Davenport Dunn, a Man of Our Day. Volume 2 (of 2)Lever, Charles
General
Davenport Dunn, a Man of Our Day. Volume 2 (of 2)
Lever, Charles
Aristocracy (Social class) -- Great Britain -- Fiction; Capitalists and financiers -- Fiction
“I have eaten all the caviare and the pickles, and nearly finished a
bottle of Madeira, waiting for you,” said Grog; “so, no dressing, but
come in at once.”
“Oh, dearest Lizzy!” cried Beecher, as they gained the porch, “just one
word,--only one word,--to make me the happiest fellow in the world or
the most miserable.” But Lizzy sprang up the stairs, and was in her room
almost ere his words were uttered.
“If I had bad but another moment,” muttered Beecher to himself, “just
one moment more, I'd have shown her that I meant to turn over a new
leaf,--that I was n't going to lead the life I have done. I 'd have told
her--though, I suppose, old Grog would murder me if he knew it--of
our grand martingale, and how we mean to smash the bank at Baden. No
deception about that,--no 'cross' there. She can't bring up grooms and
jockeys and stable-helpers against me now. It will all be done amongst
ourselves,--a family party, and no mistake!”
All things considered, Annesley Beecher, it was just as well for you
that you had not that “one moment” you wished for.
CHAPTER XXIV. A DEAD HEAT
Some eight or ten days have elapsed since the scene we have Just
recorded,--not one of whose incidents are we about to relate,--and
we are still at Holbach. As happens so frequently in the working of
a mathematical question, proofs are assumed without going over the
demonstrations; so, in real life,--certain postulates being granted,--we
arrive at conclusions which we regard as inevitable.
We are at Holbach, but no longer strolling along its leaf-strewn alleys,
or watching the laughing eddies of its circling river,--we are within
doors. The scene is a small, most comfortably furnished chamber of
the little inn, where an ample supper is laid out on a sideboard, a
card-table occupying the centre of the room, at which two players
are seated, their somewhat “charged” expressions and disordered dress
indicating a prolonged combat,--a fact in part corroborated by the
streak of pinkish dawn that has pierced between the shutters, and now
blends with the sickly glare of the candles. Several packs of cards
litter the floor around them, thrown there in that superstitious passion
only gamblers understand, and a decanter and some glasses stand on the
table beside the players, who are no others than our acquaintances Grog
Davis and Paul Classon.
Public-domain text, read in full here on John Shaqi.
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