“I cannot understand how you should be able to sing Scotch songs so well.
I never heard any but Scotch women sing them, even endurably, before: your
singing of them is perfect.”
“It seems to me,” said Euphra, speaking as if she would rather have
remained silent, “that a true musical penetration is independent of styles
and nationalities. It can perceive, or rather feel, and reproduce, at the
same moment. If the music speaks Scotch, the musical nature hears Scotch.
It can take any shape, indeed cannot help taking any shape, presented to
it.”
Hugh was yet further astonished by this criticism from one whom he had
been criticising with so much carelessness that very day.
“You think, then,” said he, modestly, not as if he would bring her to
book, but as really seeking to learn from her, “that a true musical nature
can pour itself into the mould of any song, in entire independence of
association and education?”
“Yes; in independence of any but what it may provide for itself.”
Euphrasia, however, had left one important element unrepresented in the
construction of her theory—namely, the degree of capability which a
mind may possess of sympathy with any given class of feelings. The blossom
of the mind, whether it flower in poetry, music, or any other art, must be
the exponent of the nature and condition of that whose blossom it is. No
mind, therefore, incapable of sympathising with the feelings whence it
springs, can interpret the music of another. And Euphra herself was rather
a remarkable instance of this forgotten fact.
Further conversation on the subject was interrupted by the entrance of Mr.
Arnold, who looked rather annoyed at finding Hugh in the drawing-room, and
ordered Harry off to bed, with some little asperity of tone. The boy rose
at once, rang the bell, bade them all good night, and went. A servant met
him at the door with a candle, and accompanied him.
Thought Hugh: “Here are several things to be righted at once. The boy must
not have wine; and he must have only one dinner a-day—especially if
he is ordered to bed so early. I must make a man of him if I can.”
He made inquiries, and, with some difficulty, found out where the boy
slept. During the night he was several times in Harry’s room, and once in
happy time to wake him from a nightmare dream. The boy was so overcome
with terror, that Hugh got into bed beside him and comforted him to sleep
in his arms. Nor did he leave him till it was time to get up, when he
stole back to his own quarters, which, happily, were at no very great
distance.
Public-domain text, read in full here on John Shaqi.
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