“How the fairies will be ringing the bells in these airy steeples in the moonlight!” said Miss Cameron to Harry, who was surprised and delighted with it all. He could not help wondering, however, after he went to bed that night, that Euphra had never before taken him to see these beautiful things, and had never before said anything half so pretty to him, as the least pretty thing she had said about the flowers that morning when they were out with Mr. Sutherland. Had Mr. Sutherland anything to do with it? Was he giving Euphra a lesson in flowers such as he had given him in pigs? Miss Cameron presently drew Hugh into conversation again, and the old times were once more forgotten for a season. They were worthy of distinguishing note—that trio in those spring woods: the boy waking up to feel that flowers and buds were lovelier in the woods than in verses; Euphra finding everything about her sentimentally useful, and really delighting in the prettinesses they suggested to her; and Hugh regarding the whole chiefly as a material and means for reproducing in verse such impressions of delight as he had received and still received from all (but the highest) poetry about nature. The presence of Harry and his necessities was certainly a saving influence upon Hugh; but, however much he sought to realize Harry’s life, he himself, at this period of his history, enjoyed everything artistically far more than humanly. Margaret would have walked through all this infant summer without speaking at all, but with a deep light far back in her quiet eyes. Perhaps she would not have had many thoughts about the flowers. Rather she would have thought the very flowers themselves; would have been at home with them, in a delighted oneness with their life and expression. Certainly she would have walked through them with reverence, and would not have petted or patronised nature by saying pretty things about her children. Their life would have entered into her, and she would have hardly known it from her own. I daresay Miss Cameron would have called a mountain a darling or a beauty. But there are other ways of showing affection than by patting and petting—though Margaret, for her part, would have needed no art-expression, because she had the things themselves. It is not always those who utter best who feel most; and the dumb poets are sometimes dumb because it would need the “large utterance of the early gods” to carry their thoughts through the gates of speech.