It was sometime after the household had retired, however, before Euphra
made her appearance at the door of his study. She seemed rather shy of
entering, and hesitated, as if she felt she was doing something she ought
not to do. But as soon as she had entered, and the door was shut, she
appeared to recover herself quite; and they sat down at the table with
their books. They could not get on very well with their reading, however.
Hugh often forgot what he was about, in looking at her; and she seemed
nowise inclined to avert his gazes, or check the growth of his admiration.
Rather abruptly, but apparently starting from some suggestion in the book,
she said to him:
“By the bye, has Mr. Arnold ever said anything to you about the family
jewels?”
“No,” said Hugh. “Are there many?”
“Yes, a great many. Mr. Arnold is very proud of them, as well as of the
portraits; so he treats them in the same way—keeps them locked up.
Indeed he seldom allows them to see daylight, except it be as a mark of
especial favour to some one.”
“I should like much to see them. I have always been curious about stones.
They are wonderful, mysterious things to me.”
Euphra gave him a very peculiar, searching glance, as he spoke.
“Shall I,” he continued, “give him a hint that I should like to see them?”
“By no means,” answered Euphra, emphatically, “except he should refer to
them himself. He is very jealous of his possessions—his family
possessions, I mean. Poor old man! he has not much else to plume himself
upon; has he?”
“He is kind to you, Euphra.”
She looked at him as if she did not understand him.
“Yes. What then?”
“You ought not to be unkind to him.”
“You odd creature! I am not unkind to him. I like him. But we are not
getting on with our reading. What could have led me to talk about
family-jewels? Oh! I see. What a strange thing the association of ideas
is! There is not a very obvious connexion here; is there?”
“No. One cannot account for such things. The links in the chain of ideas
are sometimes slender enough. Yet the slenderest is sufficient to enable
the electric flash of thought to pass along the line.”
She seemed pondering for a moment.
“That strikes me as a fine simile,” she said. “You ought to be a poet
yourself.”
Hugh made no reply.
“I daresay you have hundreds of poems in that old desk, now?”
“I think they might be counted by tens.”
“Do let me see them.”
“You would not care for them.”
“Wouldn’t I, Hugh?”
“I will, on one condition—two conditions, I mean.”
“What are they?”
“One is, that you show me yours.”
Public-domain text, read in full here on John Shaqi.
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