"We hear, commodore, that you have moved your household gods."
"Yes," grunts Corkey. To the jam-jorum Corkey must be civil, as he
will tell you.
"Where to?"
"Top flat, across the alley from the Grand Pacific."
"That's a five-story building, isn't it?"
"That's what it is."
Corkey is busy fixing his telegrams for the printer. He is trying to
learn what the current date is, and is unwilling to ask.
The night editor is thinking of Mrs. Corkey, a handsome little woman,
for whom the "boys in the office" have a pleasant regard.
"Is there an elevator?"
"I didn't see no elevator when I was carrying the kitchen stove in."
"How will Mrs. Corkey get up?"
This is too much. Corkey has made a hundred trips to the new abode,
each time laden with some heavy piece of furniture or package of goods.
How will Mrs. Corkey get there, when Corkey has been up and down the
docks from the north pier to the lumber district on Ashland avenue, and
all since supper?
The marine editor sits back rigidly in his chair. The head quakes, the
tongue plays, he looks defiantly at the night editor.
"She's coming," says the assistant telegraph editor, holding down his
shears and paste-pot.
The head quakes, but it is not a sneeze. It is a deliverance, _ex
cathedra_. The night editor wants to hear it.
"You bet your sweet life, Mrs. Corkey," says the commodore, "screw her
nut up four flight of stairs. That's what Mrs. Corkey do!"
The compliments of the evening are over. It is a straining of every
nerve now to get a good first edition for the fast train.
"Gale to-night, Corkey," says the telegraph editor. "We've taken most
of your stuff for the front page. The display head isn't long enough.
Write me another line for it."
"Hain't got nothing to write," Corkey doesn't like to have his report
taken out of its customary place. When there are blood-curdling wrecks
he wants the news in small type along with his port list.
"Hain't got nothing to write," he repeats sullenly. He gapes and
stretches. He knows he must obey the telegraph editor.
"Hurry! Give it to me. Give me the idea." Corkey's eye brightens.
He is a man of ideas, not of words. He has an idea. His head quakes.
The tongue begins its whirring like the fan-wheel before the clock
strikes.
"You can say that the life-saving service display a great act," says
the marine editor, relieved of a grievous duty.
His pile of telegrams grows smaller. The dreaded work will soon be
over.
"How's your rich widow?"
Corkey has not failed to plume himself on his aristocratic and familiar
acquaintance. His associates are themselves flattered. Corkey is to
take the telegraph editor to call on Mrs. Lockwin. The night editor is
jealously regarded as too smooth with the ladies. He will be left to
his own devices.
"How's your rich widow?" is repeated. But Corkey cannot hear. He is
reading a telegram that astonishes, electrifies and confuses him.
Public-domain text, read in full here on John Shaqi.
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