Dawn in darkest AfricaHarris, John H. (John Hobbis)
History
Dawn in darkest Africa
Harris, John H. (John Hobbis)
Africa, West; Africa, West -- Description and travel; Ethnology -- Africa, West; Slavery -- Africa, West
THE PRODUCTS OF THE OIL PALM
With the date palm we have been long familiar, the cocoa-nut palm
likewise, and those too which decorate our ball-rooms, galleries and
banqueting halls, we greet as delightsome friends, but what is the oil
palm—the Eloesis Guineensis of West Africa? It is said that five thousand
years ago its sap was used by the Egyptians for the purpose of embalming
the bodies of their great dead. To-day by its aid we travel thousands of
miles at express rate; it has been so handled by modern science that it
enters largely into our diet; the merchants in Hamburg and Liverpool make
fortunes out of it; millions of coloured people live by it, and yet it is
barely known to the civilized community. A fortnight’s fairly pleasant
steam from Liverpool brings the traveller in sight of the high red clay
coast line of Sierra Leone, and there the oil palm first greets the
traveller in all its luxuriant grandeur.
[Sidenote: PROPAGATING THE OIL PALM]
From Freetown away down the coast as far as San Paul de Loanda, the
traveller is never far from the home of the oil palm—the most valuable
tree of West Africa—probably the most prolific source of human sustenance
in the world. She greets the traveller everywhere as he steps ashore; she
invites him to the cool shade of her avenues leading to some hospitable
bungalow; she affords a shelter at intervals along the scorching dusty
track—as welcome as an oasis of the desert; she waves at him vigorously
from the hill-top like some fluttering banner, or gently nods her
graceful plumes in the still valley; she stands as sentinel on the
outskirts of the native village, or like some giant memorial column on
the plain. All nature strikes the African traveller dumb with admiration,
but above all in entrancing loveliness the graceful oil palm reigns
supreme.
To the parched and weary she is at once meat and drink and friendly
shelter. Her palm cabbage and nut oil are no less palatable than her
foaming fresh-drawn wine, and if no other home affords, her branches
offer a temporary and not comfortless dwelling. She provides her guest
with oil to lubricate his gun, with fibre to plug his boat if it springs
a leak; her fronds serve as a weapon to combat the infinite torment of
flies, or interlaced as a basket to carry a meal. To her the native goes
for a tool or a cooking-utensil, a mat or a loin cloth, a basket or a
brush, a fishing net or a rope, a torch or a musical instrument, a roof
or a wall. To him she is a necessity, to the traveller a luxury, to the
merchant a fortune, to the artist a subject full of charm.
[Illustration: AN AVENUE OF OIL PALMS, 10 YEARS’ GROWTH.]
Public-domain text, read in full here on John Shaqi.
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