Humorous stories; Reporters and reporting -- Fiction; Women authors -- Fiction
Such a week was this. I interviewed everything from a red-handed
murderer to an incubator baby. The town seemed to be running over with
celebrities. Norberg, the city editor, adores celebrities. He never
allows one to escape uninterviewed. On Friday there fell to my lot a
world-famous prima donna, an infamous prize-fighter, and a charming old
maid. Norberg cared not whether the celebrity in question was noted for
a magnificent high C, or a left half-scissors hook, so long as the
interview was dished up hot and juicy, with plenty of quotation marks,
a liberal sprinkling of adjectives and adverbs, and a cut of the victim
gracing the top of the column.
It was long past the lunch hour when the prima donna and the
prize-fighter, properly embellished, were snapped on the copy hook. The
prima donna had chattered in French; the prize-fighter had jabbered in
slang; but the charming old maid, who spoke Milwaukee English, was to
make better copy than a whole chorus of prima donnas, or a ring full of
fighters. Copy! It was such wonderful stuff that I couldn’t use it.
It was with the charming old maid in mind that Norberg summoned me.
“Another special story for you,” he cheerfully announced.
No answering cheer appeared upon my lunchless features. “A
prize-fighter at ten-thirty, and a prima donna at twelve. What’s the
next choice morsel? An aeronaut with another successful airship? or a
cash girl who has inherited a million?”
Norberg’s plump cheeks dimpled. “Neither. This time it is a nice German
old maid.”
“Eloped with the coachman, no doubt?”
“I said a nice old maid. And she hasn’t done anything yet. You are to
find out how she’ll feel when she does it.”
“Charmingly lucid,” commented I, made savage by the pangs of hunger.
Norberg proceeded to outline the story with characteristic vigor, a
cigarette waggling from the corner of his mouth.
“Name and address on this slip. Take a Greenfield car. Nice old maid
has lived in nice old cottage all her life. Grandfather built it
himself about a hundred years ago. Whole family was born in it, and
married in it, and died in it, see? It’s crammed full of
spinning-wheels and mahogany and stuff that’ll make your eyes stick
out. See? Well, there’s no one left now but the nice old maid, all
alone. She had a sister who ran away with a scamp some years ago. Nice
old maid has never heard of her since, but she leaves the gate ajar or
the latch-string open, or a lamp in the window, or something, so that
if ever she wanders back to the old home she’ll know she’s welcome,
see?”
“Sounds like a moving picture play,” I remarked.
Public-domain text, read in full here on John Shaqi.
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