Humorous stories; Reporters and reporting -- Fiction; Women authors -- Fiction
“All the way up the path to the door she will walk in an aisle of
fragrance, and when she turns the handle of the old door she will find
it unlocked, summer and winter, day and night, so that she has only to
turn the knob and enter.”
She stopped, abruptly. The light died out of her face. She glanced at
me, half defiantly, half timidly, as one who is not quite sure of what
she has said. At that I went over to her, and took her work-worn hands
in mine, and smiled down into the faded blue eyes grown dim with tears
and watching.
“Perhaps—who knows?—the little sister may come yet. I feel it. She will
walk up the little path, and try the handle of the door, and it will
turn beneath her fingers, and she will enter.”
With my arm about her we walked down the path toward the old-fashioned
arbor, bare now except for the tendrils that twined about the lattice.
The arbor was fitted with a wooden floor, and there were rustic chairs,
and a table. I could picture the sisters sitting there with their
sewing during the long, peaceful summer afternoons. Alma Pflugel would
be wearing one of her neat gingham gowns, very starched and stiff, with
perhaps a snowy apron edged with a border of heavy crochet done by the
wrinkled fingers of Grossmutter Pflugel. On the rustic table there
would be a bowl of flowers, and a pot of delicious Kaffee, and a plate
of German Kaffeekuchen, and through the leafy doorway the scent of the
wonderful garden would come stealing.
I thought of the cheap little flat, with the ugly sideboard, and the
bit of weedy yard in the rear, and the alley beyond that, and the red
and green wall paper in the parlor. The next moment, to my horror, Alma
Pflugel had dropped to her knees before the table in the damp little
arbor, her face in her hands, her spare shoulders shaking.
“Ich kann’s nicht thun!” she moaned. “Ich kann nicht! Ach, kleine
Schwester, wo bist du denn! Nachts und Morgens bete ich, aber doch
kommst du nicht.”
A great dry sob shook her. Her hand went to her breast, to her throat,
to her lips, with an odd, stifled gesture.
“Do that again!” I cried, and shook Alma Pflugel sharply by the
shoulder. “Do that again!”
Her startled blue eyes looked into mine. “What do you mean?” she asked.
“That—that gesture. I’ve seen it—somewhere—that trick of pressing the
hand to the breast, to the throat, to the lips—Oh!”
Suddenly I knew. I lifted the drooping head and rumpled its neat
braids, and laughed down into the startled face.
“She’s here!” I shouted, and started a dance of triumph on the shaky
floor of the old arbor. “I know her. From the moment I saw you the
resemblance haunted me.” And then as Alma Pflugel continued to stare,
while the stunned bewilderment grew in her eyes, “Why, I have
one-fourth interest in your own nephew this very minute. And his name
is Bennie!”
Whereupon Alma Pflugel fainted quietly away in the chilly little grape
arbor, with her head on my shoulder.
Public-domain text, read in full here on John Shaqi.
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