Days and Nights in London; Or, Studies in Black and GrayRitchie, J. Ewing (James Ewing)
History
Days and Nights in London; Or, Studies in Black and Gray
Ritchie, J. Ewing (James Ewing)
London (England) -- Social conditions; London (England) -- Social life and customs
At length quarrels arise, oaths and coarse language are heard, and out in
the street rush angry men to curse, and swear, and fight. The women, it
must be confessed, are ofttimes as bad as the men, and I have seen many a
heavy blow fall to the lot even of the sucking babe! In the brief
madness of the hour, friends, brothers, relatives rush at each other like
so many wild beasts, much to the amusement of the throng of inebriated
pleasure-seekers around. No one tries to interfere, as most of the men
and cardrivers, who make up the aboriginal population of the place,
evidently enjoy the disgusting spectacle. Once I stopped four weeks in
this place, and I began to tremble at the very sight of an excursionist.
I knew that the chances were that before the day was over my little ones
would have to look on the worst of sights. I saw one powerful fellow in
three fights in the course of one day; in one he had kicked a man in a
way which made him shriek and howl for an hour afterwards; in another
case he had knocked a woman down; and I left him on the railway platform,
stripped, and offering to fight anyone. I begged a policeman to
interfere and take the brute into custody, and in reply was told that
their rule was never to take a man into custody unless they saw the
assault committed, a thing the Southend police very properly take care
never to do; and yet on the occasion to which I refer the landlord of one
of the best hotels in the place was in vain, for the sake of his
respectable guests, begging the police to put a stop to the scene which
he himself rightly described as pandemonium. I must admit the police are
not inactive. There was a crowd round the beershop, from which a man
hopelessly intoxicated was being ejected.
Public-domain text, read in full here on John Shaqi.
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