English literature -- History and criticism; Greenaway, Kate, 1846-1901; Thomson, Hugh, 1860-1920
[64] "The sentences"--Mr. Crowe told a member of the Athenaeum,
when speaking of his task--"came out glibly as he [Thackeray] paced the
room." This is the more singular when contrasted with the slow
elaboration of the Balzac and Flaubert school. No doubt Thackeray must
often have arranged in his mind precisely much that he meant to say.
Such seems indeed to have been his habit. The late Mr. Lockcer-Lampson
informed the writer of this paper that once, when he met the author of
Esmond in the Green Park, Thackeray gently begged to be allowed to walk
alone, as he had some verses In his head which he was finishing. They
were those which afterwards appeared in the _Cornhill_ for January 1867,
under the title of _Mrs. Katherine's Lantern_.
[65] The Duke died 14th Sept. 1852.
Another reason which may have tended to slacken--not to stop--the sale,
is also suggested by the author himself. This was the growing popularity
of _My Novel_ and _Villette_. And Miss Bronte's book calls to mind the
fact that she was among the earliest readers of _Esmond_, the first two
volumes of which were sent to her in manuscript by George Smith, She
read it, she tells him, with "as much ire and sorrow as gratitude and
admiration," marvelling at its mastery of reconstruction,--hating its
satire,--its injustice to women. How could Lady Castlewood peep through
a keyhole, listen at a door, and be jealous of a boy and a milkmaid!
There was too much political and religious intrigue--she thought.
Nevertheless she said (this was in February 1852, speaking of vol. i.)
the author might "yet make it the best he had ever written." In March
she had seen the second volume. The character of Marlborough (here she
anticipated the _Times_) was a "masterly piece of writing." But there
was "too little story." The final volume, by her own request, she
received in print. It possessed, in her opinion, the "most sparkle,
impetus, and interest." "I hold," she wrote to Mr. Smith, "that a work
of fiction ought to be a work of creation: that the _real_ should be
sparingly introduced in pages dedicated to the _ideal_" In a later
letter she gives high praise to the complex conception of Beatrix,
traversing incidentally the absurd accusation of one of the papers that
she resembled. Blanche Amory [the _Athenaeum_ and _Examiner_, it may be
noted, regarded her as "another Becky"]. "To me," Miss Bronte exclaims,
"they are about as identical as a weasel and a royal tigress of Bengal;
both the latter are quadrupeds, both the former women." These frank
comments of a fervent but thoroughly honest admirer, are of genuine
interest. When the book was published, Thackeray himself sent her a copy
with his "grateful regards," and it must have been of this that she
wrote to Mr. Smith on November 3,--"Colonel Henry Esmond is just
arrived. He looks very antique and distinguished in his Queen Anne's
garb; the periwig, sword, lace, and ruffles are very well represented by
the old _Spectator_ type."[66]
Note:
Public-domain text, read in full here on John Shaqi.
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