English fiction -- 20th century; English wit and humor; Imaginary letters; Letters in literature
Bellini was childish about the music: he danced with delight when they
had finished, and clapped his hands and said: “Do sing it again!”
Somebody suggested their singing a French song, but Bellini said: “No,
no, please sing some more of my own music: I do enjoy it so much more,
and you know it is much better.” So they sang something from “Norma,”
and after that the trio from “The Comte Ory,” in which the Prince, M.
du Tillet, and a young girl took part, with Madame de Vergennes at the
pianoforte.
When the trio was over, Madame Jaubert interrupted the music, although
we were all anxious to hear more, I myself among others; but she
took me aside and whispered to me that you must always stop music
_before_ people have had enough, because the moment they have one
second too much of it they will go away with the impression that they
have spent a tiresome evening. I think she was right. But there was
a young man there, a M. de Musset--he writes--who was both obstinate
and persistent, and never ceased for a moment asking for more. Madame
Jaubert was firm and turned a deaf ear to him. This young man was
introduced to me: he is good-looking and well-mannered, but sulky
and overdressed. He is in love with Princess Belgiojoso, and this I
suppose affected him on this occasion because she was paying but scant
attention to him, and talked incessantly to Major Fraser, who was there.
Gradually the greater part of the people took their departure, and
we all sat down round the table in a small room and talked about
table-turning and spirits. Then, I forget how, the conversation turned
upon caricatures, and Princess Belgiojoso said, with a lovely smile,
that nobody had ever been able to caricature her. Upon which M. de
Musset instantly accepted the challenge and said he would make a
caricature of the Princess at once. He fetched a scrap-book which was
in the room, and a pencil, and on a blank page, drew, in four strokes,
her face and figure in profile, exaggerating her thinness and making an
enormous black eye. It exactly resembled her; we all craned over the
table to look at it, and she took up the book and said in a tone of
the utmost indifference: “Really, M. de Musset, it is unfair that you
should have all the talents,” and she shut the book.
Madame Jaubert took the book and put it away, and I heard her whisper
to M. de Musset: “You have burnt your boats.” He turned round and
looked at the Princess and his eyes filled with tears, and at that
moment I felt that I could have gladly chastised her.
After that we went in to supper. Almost everybody had gone; the
only people who remained were Prince and Princess Belgiojoso, M. de
Musset, Major Fraser, Mlle. de Rutières, a lovely Créole, the Comte
d’Alton-Shée, Bellini, and Herr Heine, the German writer. I sat between
him and Prince Belgiojoso. M. de Musset was on Madame Jaubert’s left,
Bellini and the Princess were sitting opposite us.
Public-domain text, read in full here on John Shaqi.
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