At first the countryman opposite made such a prodigious to-do with
his piece of news that I could not help watching him. Then my
attention wandered from him to the country through which we were
flying. Slowly I pondered over the many events that had passed
since, not many months before, I had travelled up from Cornwall to
win my fortune. My fortune! To what had it all come? I had won a
golden month or two of love, and lo! my darling was dead. Dead also
was the friend who had travelled up with me, so full of boyish hope:
both dead; the one in the full blaze of her triumph, the other in the
first dawn of his young success: both dead--and, but for me, both
living yet and happy.
Suddenly the countryman looked up and spoke.
"Hav'ee seen this bit o' news? Astonishin'! And her so pretty too!"
"What is it?" I asked vacantly.
For answer he pushed the paper into my hands, and with his thumb-nail
pointed to a column headed "TERRIBLE TRAGEDY IN A THEATRE."
"An' to think," he continued reflectively, "as how I saw her wi' my
own eyes but three nights back--an' actin' so pretty, too! Lord!
It made me cry like any sucking child: beautiful it was--just
beau-ti-ful! Here's a story to tell my missus!"
I took the paper and read--
"TERRIBLE TRAGEDY IN A THEATRE. SUICIDE OF A FAMOUS ACTRESS.--
Last evening, the performance of the new and popular tragedy,
_Francesca_, at the Coliseum, was interrupted by a scene
perhaps the most awful that has ever been presented to the
play-going public. A sinister fate seems to have pursued this
play from the outset. It will be within the memory of all that
its young and gifted author was, on the very night of its
production, struck down suddenly in the street by an unknown
hand which the police have not yet succeeded in tracing.
Last night's tragedy was even more terrible. Clarissa Lambert,
whose name--"
But I wanted to read no more. To the countryman's astonishment the
paper slipped from my listless fingers, and once more my gaze turned
to the carriage window. On we tore through the snow that raced
horizontally by the pane, through the white and peaceful country--
homeward. Homeward to welcome whom? Whom but the man now sitting,
it might be, within a foot of me? To my heart I hugged the thought
of him, sitting there and gloating over the morrow.
Public-domain text, read in full here on John Shaqi.
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