Dead-sea fruit, Vol. 1 (of 3)Braddon, M. E. (Mary Elizabeth)
General
Dead-sea fruit, Vol. 1 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
“For Pauline!”
“Yes, I play Pauline to-night in the _Lady of Lyons_, you know;
and she is always played in ringlets--I don’t exactly know why.”
“Pray do not apologize for the curl-papers. I know there is a prejudice
against them; but I really think them becoming in your case. And so you
play Pauline to-night? I remember seeing Helen----”
“Oh, please don’t!” cried the girl, with a pretty look of piteous
supplication; “every one says that. ‘My dear,’ the ladies at the
theatre say to me, ‘I have seen Miss Faucit in that character; and,
without wishing to wound your feelings, I am bound to tell you that if
you knew how _she_ played the cottage-scene, you would go home and
cut your throat.’ At least that’s what Mrs. M’Grudder, who plays old
women on the Oswestry circuit, said to me after--after I came off, so
pleased at having been applauded.”
“The old harridan! I suppose she is a very great actress herself, this
Mrs. M’Grudder.”
“Oh, no; she speaks the broadest, broadest Scotch; and in Lady Macbeth
the boys in the gallery laugh at her dreadfully.”
“Then I do not think you need be made unhappy by that lady’s sneers.
Are you very fond of acting?”
“I love it dearly, and I hope some day to get on, for papa’s sake. But
I find the life of an actress much harder than I thought, and it is
very difficult to get on. And I am so nervous.”
“You are afraid of your audience?”
“Oh, no, I don’t so much mind them; it is of the other actors and
actresses I am most afraid.”
“Indeed.”
“Yes; they come to the wings and watch me; and then they tell me what
they think; and they give me advice; and somehow they always contrive
to make me miserable. I am sure sometimes, when I have been playing
Ophelia, and have been quite carried away by the part, fancying that
I have loved a prince and been forsaken by him, and that my father
has been killed, and I am mad, I have happened to look towards the
prompt entrance and see Mrs. M’Grudder standing there staring at me in
her dreadful stony way, and have heard her say, ‘St--st--st!’ quite
loud, and it has made me break down directly. You see, most actors and
actresses have been a long time in the profession, and they have a kind
of prejudice against amateurs and novices, and try to put them down.
Mrs. M’Grudder had two daughters in the theatre, who both wanted to
play the juveniles, and I suppose that’s what made her so unkind to me.”
“But I suppose you have done with Mrs. M’Grudder now you have come to
London?”
“Oh, no, I fear not. My engagement at the Oxford-road Theatre is only
for a fortnight. Mr. Mortemar has taken the house at his own risk, you
know, in order to introduce himself to a London public; and when the
season is over, I must go back to the country--and most likely to the
Oswestry circuit--unless I can get a permanent engagement in town.”
She glanced at Mr. Desmond when she said this, as much as to say, “You
are the all-powerful benefactor who can procure for me that inestimable
boon.”
Public-domain text, read in full here on John Shaqi.
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