Dead-sea fruit, Vol. 1 (of 3)Braddon, M. E. (Mary Elizabeth)
General
Dead-sea fruit, Vol. 1 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
Thus did it come to pass that Mr. Desmond, having no imperative claim
on his leisure, found himself at the doors of the Oxford Road Theatre,
within two or three hours of his visit to Mr. Alford’s lodging. He
had eaten a hurried dinner at his club, and had driven thence to the
Oxford, which house of entertainment was to be found amidst a labyrinth
of streets northward of Cumberland Gate.
It is not a fashionable theatre, but amongst the inhabitants of the
immediate district it is at times a very popular resort; while there
are other times in which this temple of the drama fades and languishes
for lack of public patronage, in common with more brilliant temples of
the same order. It is a theatre whose normal splendour is ever and anon
brightened by the extra brilliancy of some wandering star, whose name,
all renowned though it may be in the district, is comparatively unknown
to the ears of fashionable playgoers, or known only as a bye-word and
a reproach.
The great T. N. Buffboote, better known to his admirers as Brayvo
Buffboote, is a favourite at the Oxford. Miss Marian Fitz-Kemble, the
celebrated lady Lear, here performs her round of tragedy, from Macbeth
to Julius Cæsar, with much satisfaction to herself and her friends.
Here has the famous Transatlantic equestrian, best known to fame as
the divine Miss Godiva Jones, pranced and galloped in her celebrated
performances of Dick Turpin and Timour the Tartar. Here in the summer
months, when the closing of West-end theatres affords a brief respite
to manager and company, there come occasionally actors and actresses of
higher repute, eager to gather new laurels in these untrodden regions,
and not ill pleased to find themselves received with noisy rapture and
outspoken admiration by the ruder gods and homelier goddesses of a
threepenny gallery.
But while stars may come and stars may go at the Oxford Road Theatre,
there is a regular company which goes on for ever, glad to be tragical
with Miss Fitz-Kemble, melodramatic with the great Buffboote, or
equestrian with the divine Godiva, as the case may be--a company which
takes life as it comes, and asks no more from existence than that its
swift-recurring Saturday shall witness the payment of every man’s
salary.
Public-domain text, read in full here on John Shaqi.
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