Dead-sea fruit, Vol. 1 (of 3)Braddon, M. E. (Mary Elizabeth)
General
Dead-sea fruit, Vol. 1 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
And thus the simple De Mortemar discoursed of the greatness that was in
him, while the scantily furnished benches of pit and gallery attested
the badness of the season.
“They haven’t heard of me yet,” said the star, serene even in the
hour of disappointment. “London is a large place, and a man can’t get
a reputation in a week. The metropolitan papers are slow, sir--very
slow--to a man who has been accustomed to see a column and a half of
criticism written upon every new character performed by him; but they
can’t afford to leave me unnoticed much longer; and when they do speak,
they’ll speak out, depend upon it. I look upon the Oxford Road Theatre
as a stepping-stone to Drury Lane, and it was with that view I took
it.”
Mr. de Mortemar had engaged Miss St. Albans for the heroines of those
dramas and comedies in which he intended to shine, not because he
believed in her talent--for in plain truth this great man believed in
the existence of no talent except his own--but because she was very
young and inexperienced, and he could do as he liked with her; which
means, in a dramatic sense, that he could keep her with her back to the
audience, in an ignominious corner of the stage, through the greater
part of a scene, while he shouted and ranted at her from the centre of
the boards; and that he could take her up so sharply at the end of her
most telling speeches as to deprive her of that just meed of applause
an approving audience might naturally have bestowed upon her, and in
bestowing which they would have divided that coronal of glory Mr. de
Mortemar desired to obtain for himself alone.
Mr. Desmond found that portion of the boxes playfully entitled the
dress-circle in occupation of two young women in scarlet Garibaldi
jackets and black velvet head-dresses; one fat elderly lady, in a cap
which offered to the eye of the observer a small museum of natural
and artistic curiosities in the way of shells, feathers, beads,
butterflies, and berries; three warm-looking young men, sprawling and
lounging and giggling and whispering amongst themselves in a corner
box; and a scanty sprinkling of that class of spectators who come with
free admissions, and rarely come prepared for the removal of their
bonnets, which removal being rigorously exacted, leaves them wild and
haggard of aspect and soured in temper.
Amongst this audience the editor of the _Areopagus_ meekly took
his place, and prepared to await the rising of the curtain, while a
subdued crunching of apples and sucking of oranges, mingled with a
chorus of sibilant whisperings, went on round and about him.
Public-domain text, read in full here on John Shaqi.
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