Dead-sea fruit, Vol. 1 (of 3)Braddon, M. E. (Mary Elizabeth)
General
Dead-sea fruit, Vol. 1 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
After some groping and stumbling in the wrong passages and on the
wrong stairs, the Editor made his way to the green-room. He could
scarcely have told himself why he took this trouble in order to say
a few kind words to his old tutor’s daughter, or whether the saying
of kind words was at all required from him. It may be that, having
given up his evening to this visit to the Oxford Road Theatre, he
came behind the scenes merely because he could no longer endure the
dreary misery of the boxes; or it may be that he wanted to observe
the manners and customs of actors of a different class from those he
had been accustomed to meet. Mr. Desmond, however, did not trouble
himself with any consideration of his motive. He came to the green-room
to see Miss Alford, or Miss St. Albans, because it was the humour of
the moment to come. He had given himself an evening’s holiday from
the ever-alternating labours of literary and social life, and he was
not sorry to lose the sense of his own cares and perplexities amongst
strange surroundings.
The green-room was a long narrow slip of a room underground, furnished
with a few shabby chairs and benches, some flaring gas-lamps, and
a cheval-glass, before which the actors and actresses contemplated
themselves afresh after every change of costume, more or less pleased
with the result of their scrutiny.
Mr. Desmond found his friend’s daughter standing before this glass,
arranging the scanty festoons of a black tulle ball-dress, dotted about
with little bunches of violets--a dress that Mademoiselle Deschapelles
could by no possibility have worn at any period of her existence, but
which poor Lucy Alford fondly believed was the exact thing for the last
act.
“How do you do, once more, Miss--St. Albans?” said the editor, going up
to the glass.
“How do you do, Mr. Desmond?” the girl said, startled, and blushing
brightly beneath the artificial pallor which marked the mental agonies
of Pauline. “I--I didn’t think you’d come behind; it’s not generally
allowed, you know; but of course with you it’s different. I saw you in
the dress-circle. How kind of you to come! But it made me so nervous.”
“Yes, I could see that you were nervous.”
“You could see it! I am sorry for that!” said Lucy, just a little
mortified.
“My dear young lady, if you were not nervous, you would not be of the
sensitive stuff that makes an artist.
“You--you were not displeased with me?”
Public-domain text, read in full here on John Shaqi.
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