Dead-sea fruit, Vol. 1 (of 3)Braddon, M. E. (Mary Elizabeth)
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Dead-sea fruit, Vol. 1 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
“I need scarcely inform you, my dear Desmond, that such an idea was to
me, at the first blush, absolute HORROR; but when my sweet
girl urged her predilection for the drama, and reminded me of the
handsome fortunes realized by Garrick, Mrs. Siddons, Miss O’Neill, and
other professors of that classic art, I relented, and allowed Lucy
to have her own way. The dear girl had educated herself and reared
herself, as it were, with so little help from me, that it would have
seemed ill in me to frustrate her hopes by my cold reasoning or timid
doubts. Nor had I any very agreeable alternative to offer her. My
circumstances have year by year become more embarrassed since that
pleasant summer we spent together at Henley, and the home which I can
provide for my only child is of the poorest. Was I, then, to stand in
the way of her advancement?
“To make a long story short, I yielded, and have since that time
devoted my best energies to my dear girl’s service. She is but
nineteen, and has already appeared at the Theatres Royal, Stony
Stratford, Market Deeping, Oswestry, and Stamford, with considerable
success. Her sympathies are with the buskin, rather than with the
sock; but at Oswestry she performed the part of Lady Teazle, and
received much applause from an appreciative, although somewhat
limited, audience.
“We have now essayed a bolder venture. My Lucy has obtained, with
inordinate difficulty, a London engagement. I had, in my ignorance
of the dramatic world, fondly imagined that a young person of
unmistakeable genius had only to apply to the manager of one of the
patent theatres, in order to be placed at once upon the boards that
Siddons trod. But I find, alas! that in most cases it is only after
years of patient and ill-paid drudgery in small provincial towns
the dramatic aspirant works his or her way to the metropolis,--nay,
indeed, there are many who never reach that splendid goal, but who
journey through life as the favourite actor of the Theatre Royal,
Market Deeping or Oswestry, and who are not ill-pleased with their
renown.
“But to return. My daughter’s engagement will be a brief one; but she
is to appear in a wide range of the drama, in conjunction with Mr.
Henry de Mortemar, a gentleman of some local celebrity, though as yet
unknown to the metropolitan critics. The theatre is an obscure one,
and Lucy must speedily return to the drudgery of a provincial stage
unless some powerful and friendly hand shall be interposed in her
behalf. Yours, my good friend, is the influence which I would solicit
for my dear child. A word from you would doubtless immediately secure
a profitable engagement at one of the West-end theatres. I beseech
you, for the sake of ‘auld lang syne,’ to say that all-powerful word,
and to confer a lasting obligation on your poor old friend and tutor,
“TRISTRAM ALFORD.
“_Paul’s Terrace, Islington, Nov. 14, 186--_”
Public-domain text, read in full here on John Shaqi.
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