Damaris planted her elbows on the window-sill, her chin in the hollow of
her hands. Her eyes were solemn, her face grave with thought.--Verily the
increase of knowledge is the increase of perplexity, if not of actual
sorrow. Even the apparently safest and straightest paths are beset with
"pitfall and with gin" for whoso studies to pursue truth and refuse
subscription to illusion. Your charity should be wide as the world
towards others. Towards yourself narrow as a hair, lest you condone your
own weakness, greed, or error. Of temptation to any save very venial sins
Damaris had, in her own person, little conception as yet.--Still to a
maiden of eighteen, though she may have a generous proportion of health
and beauty, sufficient fortune and by no means contemptible intelligence,
noble instincts, complications and distresses, both of the practical and
theoretic order, may, and do, at times occur. Damaris suffered the shock
of such now; and into what further jungles of cheerless speculation she
might have been projected it is impossible to say, had not persons and
events close at hand claimed her attention.
The Grand Hotel at St. Augustin is situated upon a long narrow
promontory, which juts out into the sea at right angles to the main trend
of the coast-line. It faces east, turning its back upon the little
town--built on the site of a Roman colonial city, originally named in
honour of the pagan Emperor rather than the Christian Confessor and
ascetic. Mediaeval piety bestowed on it the saintly prefix, along with a
round-arched cathedral church, of no great size, but massive proportions
and somewhat gloomy aspect.
From the terrace garden and carriage drive, immediately in front of the
hotel, the ground drops sharply, beneath scattered pines with undergrowth
of heather, wild lavender, gum-cistus, juniper, mastic and myrtle, to the
narrow white beach a hundred feet below. Little paths traverse the rough
descent. And up one of these, halting to rest now and then on a
conveniently placed bench in the shade of some spreading umbrella pine,
to discourse to the company of gentlemen following in her wake, or
contemplate the view, came a notably graceful and telling figure.
As the lady advanced with leisurely composure, Damaris, gazing down from
her point of vantage in the first floor window, received the impression
of a person almost extravagantly finished and feminine, in which all
irregularities and originalities of Nature had suffered obliteration by
the action of art. Not art of the grosser sort, dependent on dyes, paint
and cosmetics. The obliteration was not superficial merely, and must have
been achieved by processes at once subtle and profound. The result
obtained, however, showed unquestionably charming--if in a line slightly
finical and exotic--as she picked her way through the fragrant
undergrowth of the pine wood, slanting sunshine playing on her dark blue
raiment, wide-brimmed white hat, and floating veil.
Public-domain text, read in full here on John Shaqi.
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