And Damaris, being unlearned in the curious arts of the theatre, listened
wide-eyed, spellbound, until flicked by the swishing skirts of fictitious
emotion into genuine, yet covert, excitement. As the reading progressed
Henrietta Frayling's presence increasingly sank into unimportance. More
and more did the poem assume a personal character, of which, if the
reader were hero, she--Damaris--became heroine. Marshall Wace seemed to
read not to, but definitely at her; so that during more than one ardent
passage, she felt herself go hot all over, as though alone with him, an
acknowledged object of his adoring, despairing declarations. This she
shrank from, yet--it must be owned--found stirring, strangely and not
altogether unpleasantly agitating. For was not this _protégé_ of
Henrietta's--whom the latter implored her to encourage and treat
kindly--something of a genius? Capable of sudden and amazing
transformation, talking to you with a modesty and deference agreeably
greater than that of most young men of his age; then, on an instant,
changing at will, and extraordinarily voicing the accumulated wrongs,
joys and sorrows of universal humanity? Could Henrietta, who usually
spoke of him in tones of commiseration, not to say of patronage, be aware
how remarkable he really was? Damaris wondered; regarding him, meanwhile,
with innocent respect and admiration. For how tremendously much he must
have experienced, how greatly he must have suffered to be able to portray
drama, express profound emotion thus! That the actor's art is but
glorified make-believe, the actor himself too often hollow as a drum,
though loud sounding as one, never for an instant occurred to her. How
should it?
Therefore when Mrs. Frayling--recollecting certain mysteries of the
toilet which required attention before the arrival of her expected
guests--brought the performance to an abrupt termination, Damaris felt a
little taken aback, a little put about, as though someone should be
guilty of talking millinery in church.
For--"Splendid, my dear Marshall, splendid," the lady softly yet
emphatically interrupted him. "To-day you really surpass yourself. I
never heard you read better, and I hate to be compelled to call a halt.
But time has flown--look."
And she pointed to the blue and gold Sévres clock upon the mantelpiece.
"Miss Verity is an inspiring auditor," he said, none best pleased at
being thus arbitrarily arrested in midcourse. "For whatever merit my
reading may have possessed, your thanks are due to her rather than to me,
Cousin Henrietta."
He spoke to the elder woman. He looked at the younger. With a nervous yet
ponderous movement--it was Marshall Wace's misfortune always to take up
more room than by rights belonged to his height and bulk--he got on to
his feet. Inattentively let drop the volume of poems upon a neighbouring
table, to the lively danger of two empty coffee cups.
Public-domain text, read in full here on John Shaqi.
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