Shooting is apt to be performed, in a bungling manner. Hanging by the heels, till the criminal is dead, is very objectionable, and requires too much time. The mode adopted here and in England, and also in some other countries, of hanging by the neck, is, in no respect agreeable, even if the operator be a skilful man; and, if not, it is highly offensive. The rope is sometimes too long, and the victim touches the ground--it is too frail, and breaks, and the odious act must be performed again--or the noose is unskilfully adjusted, the neck is not broken, and the struggles are terrible. The sword, in a Turkish hand, performs the work well. It was used in France. Charles Henry Sanson, the hereditary executioner, on the third of March, 1792, presented a memorial to the Constituent Assembly, in which he objected to decollation, and stated that he had but two swords; that they became dull immediately; and were wholly insufficient, when there were many to be executed, at one time. Monsieur Sanson knew nothing then of that delightful instrument, which, not long afterward, became a mere plaything, in his hands. Stoning to death and flaying alive have been employed, occasionally, since the days of Stephen and Bartholomew. The axe, so much in vogue, formerly, in England, was a ruffianly instrument, often mangling the victim, in a horrible manner. After all, there is nothing like the guillotine; and, should it ever be thought expedient to erect one here, I should recommend, for a location, the knoll, near the fountain, on our Common, which would enable a very large concourse of men, women, and children, to witness the performances of both, at the same moment. The very best account of the guillotine, that I have ever met with, is contained in the London Quarterly Review, vol. lxxiii. page 235. It is commonly supposed, that this instrument was invented by Dr. Guillotin, whose name it bears. It has been frequently asserted, that Dr. Guillotin was one of the earliest, who fell victims to its terrible agency. It has been still more generally believed, that this awfully efficient machine was conceived in sin and begotten in iniquity, or in other words, that its original contrivers were moved, by the spirit of cruelty. All these conjectures are unfounded. The guillotine, before its employment, in France, was well known in England, under the name of the Halifax gibbet. A copy of a print, by John Doyle, bearing date 1650, and representing the instrument, may be found, in the work, to which I have, just now, referred. Pennant, in his Tour, vol. iii. page 365, affirms, that he saw one of the same kind, "in a room, under the Parliament house, at Edinburgh, where it was introduced by the Regent, Morton, who took a model of it, as he passed through Halifax, and, at length, suffered by it, himself."