The account of Bull, by Wood, in his Fasti, i. 235, Lond. 1815, is somewhat amusing--"1586, July 9.--John Bull, who had practised the fac. of music for 14 years, was then admitted batch, of music. This person, who had a most prodigious hand on the organ, and was famous, throughout the religious world, for his church music, had been trained up under an excellent master, named Blitheman, organist of Qu. Elizabeth's chappel, who died much lamented, in 1591. This Blitheman perceiving that he had a natural geny to the faculty, spared neither time nor labor to advance it to the utmost. So that in short time, he being more than master of it, which he showed by his most admirable compositions, played and sung in many churches beyond the seas, as well as at home, he took occasion to go incognito, into France and Germany. At length, hearing of a famous musician, belonging to a certain cathedral, (at St. Omers, as I have heard,) he applied himself, as a novice, to learn something of his faculty, and to see and admire his works. This musician, after some discourse had passed between them, conducted Bull to a vestry, or music school, joyning to the cathedral, and shew'd him a lesson, or song of forty parts, and then made a vaunting challenge to any person in the world to add one more part to them, supposing it to be so compleat and full, that it was impossible for any mortal man to correct or add to it. Bull thereupon desiring the use of ink and rul'd paper (such as we call musical paper) prayed the musician to lock him up in the said school for 2 or 3 hours; which being done, not without great disdain by the musician, Bull, in that time or less, added forty more parts to the said lesson or song. The musician thereupon being called in, he viewed it, try'd it and retry'd it. At length he burst out into great ecstacy, and swore by the great God, that he that added those 40 parts must either be the Devil or Dr. Bull, &c. Whereupon Bull making himself known, the musician fell down and adored him." Of music it may be said, as of most other matters--_the fashion of these things passeth away_. So great was the fame of Bull in his day, and such tempting offers of preferment were made him, by the Emperor, and by the Kings of France and Spain, that Queen Elizabeth commanded him home. It is stated, in the Biographical History of England, ii. 167, that the famous Dr. Pepusch preferred some of the lessons in Bull's Partheniæ, to the productions of most of the composers of that time. Yet Dr. Burney says of these lessons--"_They may be heard, by a lover of music, with as little emotion as the clapper of a sawmill, or the rumbling of a post-chaise_." Musicians are a sensitive and jealous generation. "Handel," says Chalmers, "despised the pedantry of Pepusch; and Pepusch, in return, refused to join, in the general chorus of Handel's praise."