The men were artists, and the little ones were children of another artist, dead three weeks ago. They had brought the mites to us because they thought "John Grier" sounded solid and respectable, and not like a public institution. It had never entered their unbusinesslike heads that any formality is necessary about placing a child in an asylum. I explained that we were full, but they seemed so stranded and aghast, that I told them to sit down while I advised them what to do. So the chicks were sent to the nursery, with a recommendation of bread and milk, while I listened to their history. Those artists had a fatally literary touch, or maybe it was just the sound of the baby girl's laugh, but, anyway, before they had finished, the babes were ours. Never have I seen a sunnier creature than the little Allegra (we don't often get such fancy names or such fancy children). She is three years old, is lisping funny baby talk and bubbling with laughter. The tragedy she has just emerged from has never touched her. But Don and Clifford, sturdy little lads of five and seven, are already solemn-eyed and frightened at the hardness of life. Their mother was a kindergarten teacher who married an artist on a capital of enthusiasm and a few tubes of paint. His friends say that he had talent, but of course he had to throw it away to pay the milkman. They lived in a haphazard fashion in a rickety old studio, cooking behind screens, the babies sleeping on shelves. But there seems to have been a very happy side to it--a great deal of love and many friends, all more or less poor, but artistic and congenial and high-thinking. The little lads, in their gentleness and fineness, show that phase of their upbringing. They have an air which many of my children, despite all the good manners I can pour into them, will forever lack. The mother died in the hospital a few days after Allegra's birth, and the father struggled on for two years, caring for his brood and painting like mad--advertisements, anything--to keep a roof over their heads. He died in St. Vincent's three weeks ago,--overwork, worry, pneumonia. His friends rallied about the babies, sold such of the studio fittings as had escaped pawning, paid off the debts, and looked about for the best asylum they could find. And, Heaven save them! they hit upon us! Well, I kept the two artists for luncheon,--nice creatures in soft hats and Windsor ties, and looking pretty frayed themselves,--and then started them back to New York with the promise that I would give the little family my most parental attention. So here they are, one little mite in the nursery, two in the kindergarten room, four big packing cases full of canvases in the cellar, and a trunk in the store room with the letters of their father and mother. And a look in their faces, an intangible spiritual SOMETHING, that is their heritage.