Here in his own church in Santa Fé there was one of these nursery Virgins, a little wooden figure, very old and very dear to the people. De Vargas, when he recaptured the city for Spain two hundred years ago, had vowed a yearly procession in her honour, and it was still one of the most solemn events of the Christian year in Santa Fé. She was a little wooden figure, about three feet high, very stately in bearing, with a beautiful though rather severe Spanish face. She had a rich wardrobe; a chest full of robes and laces, and gold and silver diadems. The women loved to sew for her and the silversmiths to make her chains and brooches. Father Latour had delighted her wardrobe keepers when he told them he did not believe the Queen of England or the Empress of France had so many costumes. She was their doll and their queen, something to fondle and something to adore, as Mary's Son must have been to Her. These poor Mexicans, he reflected, were not the first to pour out their love in this simple fashion. Raphael and Titian had made costumes for Her in their time, and the great masters had made music for Her, and the great architects had built cathedrals for Her. Long before Her years on earth, in the long twilight between the Fall and the Redemption, the pagan sculptors were always trying to achieve the image of a goddess who should yet be a woman. Bishop Latour's premonition was right: Father Vaillant never returned to share his work in New Mexico. Come back he did, to visit his old friends, whenever his busy life permitted. But his destiny was fulfilled in the cold, steely Colorado Rockies, which he never loved as he did the blue mountains of the South. He came back to Santa Fé to recuperate from the illnesses and accidents which consistently punctuated his way; came with the Papal Emissary when Bishop Latour was made Archbishop; but his working life was spent among bleak mountains and comfortless mining camps, looking after lost sheep. Creede, Durango, Silver City, Central City, over the Continental Divide into Utah,--his strange Episcopal carriage was known throughout that rugged granite world. It was a covered carriage, on springs, and long enough for him to lie down in at night,--Father Joseph was a very short man. At the back was a luggage box, which could be made into an altar when he celebrated Mass in the open, under a pine tree. He used to say that the mountain torrents were the first road builders, and that wherever they found a way, he could find one. He wore out driver after driver, and his coach was repaired so often and so extensively that long before he abandoned it there was none of the original structure left.