Christian fiction; Clergy -- Fiction; Historical fiction; New Mexico -- Fiction
"All in good time. But a man does not let go of this world so easily.
Where is Conçeption Gonzales? Come here, my daughter. See to it that
the money is taken up from under the floor while I am still in this
chamber, before my body is cold, that it is counted in the presence of
all these women, and the sum set down in writing." At this point, the
old man started, as with a new hope. "And Christobal, he is the man!
Christobal Carson must be here to count it and set it down. He is a just
man. Trinidad, you fool, why did you not bring Christobal?"
Father Vaillant was scandalized. "Unless you compose yourself, Father
Lucero, and fix your thoughts upon Heaven, I shall refuse to administer
the Sacrament. In your present state of mind, it would be a sacrilege."
The old man folded his hands and closed his eyes in assent. Father
Vaillant went into the adjoining room to put on his cassock and stole,
and in his absence Conçeption Gonzales covered a small table by the bed
with one of her own white napkins and placed upon it two wax candles,
and a cup of water for the ministrant's hands. Father Vaillant came back
in his vestments, with his pyx and basin of holy water, and began
sprinkling the bed and the watchers, repeating the antiphon, _Asperges
me, Domine, hyssopo, et mundabor_. The women stole away, leaving their
lights upon the floor. Father Lucero made his confession, renouncing his
heresy and expressing contrition, after which he received the Sacrament.
The ceremony calmed the tormented man, and he lay quiet with his hands
folded on his breast. The women returned and sat murmuring prayers as
before. The rain drove against the window panes, the wind made a hollow
sound as it sucked down through the deep arroyo. Some of the watchers
were drooping from weariness, but not one showed any wish to go home.
Watching beside a death-bed was not a hardship for them, but a
privilege,--in the case of a dying priest it was a distinction.
In those days, even in European countries, death had a solemn social
importance. It was not regarded as a moment when certain bodily organs
ceased to function, but as a dramatic climax, a moment when the soul
made its entrance into the next world, passing in full consciousness
through a lowly door to an unimaginable scene. Among the watchers there
was always the hope that the dying man might reveal something of what he
alone could see; that his countenance, if not his lips, would speak, and
on his features would fall some light or shadow from beyond. The "Last
Words" of great men, Napoleon, Lord Byron, were still printed in
gift-books, and the dying murmurs of every common man and woman were
listened for and treasured by their neighbours and kinsfolk. These
sayings, no matter how unimportant, were given oracular significance and
pondered by those who must one day go the same road.
Public-domain text, read in full here on John Shaqi.
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