“But there’s been a Russo-Japanese War and the Balkan Wars....”
“Well, yes, but they’re different. I can’t believe any of the big
European nations would start a war with another. Of course, there are
Chauvins and Junkers and Jingoes, but who cares a hang about them? The
people don’t want war.”
“Of course, I don’t know, but I heard Admiral Partington telling father
that the navy is bigger, newer and more efficient than it’s ever been.
And he said the German army is huge and most efficient, and the French
are so frightened they’ve made the period of conscription three years.
And he said, look out when the Kiel canal is opened.”
“Good Lord, you surely don’t believe what stodgy old Admirals say, do
you? It’s their job to frighten people with war scares so that they can
go on getting money out of the country and building their ridiculous
Dreadnoughts. I met a coast-guard officer last summer, who got drunk
and said he’d sealed orders as to what to do in case of war. I told
him I thought that seal would not be broken until the angels in the
Apocalypse arrived.”
“And what did he say to that?”
“He just shook his head, and ordered another whiskey.”
“Well, it doesn’t concern us. It’s not our business.”
“No, thank God, it doesn’t and can’t concern us.”
* * * * *
They were in Oxford Street, rolling past the shuttered shop-fronts.
A good many people were on the pavements, but the street was
comparatively empty of vehicles, empty and sonorous. As they ran down
past Selfridge’s, the curved line of lights in the centre of the street
looked like an uncoiled necklace of luminous, glittering beads. At
Oxford Circus they gazed down old Regent Street with its long lines of
_café-au-lait_ Regency houses, broken only at the Quadrant by the new
Piccadilly Hotel.
“Isn’t that like us?” said George. “We have an attempt at
town-planning, and dull as Nash is, at any rate his design is simple
and dignified, and then we go and ruin the Quadrant with a horrid
would-be-modern hotel.”
“But I thought you believed in modernity in art.”
“So I do, but I don’t believe in mucking up the art of the past if it
can be avoided. Besides, I don’t call these pastiches of Renaissance
palaces modern architecture. The only people who have got a live modern
architecture are the Americans, and they don’t know it.”
“Those awful sky-scrapers!”
“They’re awful in one way, but they’re original. I saw some photographs
of New York from the harbour recently, and I thought it the most
beautiful city in the world, a sort of gigantic and stupendous Venice.
I’d like to go there, wouldn’t you?”
“No, I’d like to go to Paris and live in the real student’s quarter,
and to Italy and Spain.”
* * * * *
The bus stopped at the end of Tottenham Court Road. They got down, and
crossed the street to wait for the Hampstead bus.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account