At seven they were marched to the quay, and then marched back. The
officer had mistaken the word “eleven” for “seven.” So they had to wait
again. It was their first introduction to the curious fact that much of
the War consisted in waiting about and in undoing things which somebody
had ordered in error or through mistaken zeal. The men, sitting on
their packs in the empty room, were eagerly and vainly discussing
their immediate future—which Base Camp would they go to, which unit
would they be drafted to, what part of the line. Winterbourne went
over to the uncurtained window and looked out. Drifting heavy clouds,
a moderately rough, dirty-looking sea. The Esplanade was practically
deserted. The shelters looked dilapidated; most of the glass in them
was smashed. The unused gas lamps looked somehow desolate on their
rusting standards. Another wounded town, dying perhaps. Depression,
monotony, boredom. He looked at his wrist-watch. Still more than two
hours to wait. Now that the inevitable had occurred, he was very
impatient to get into the front line. The only interest he had left was
a consuming curiosity to see what the War was really like.
Curse this hanging about! He drummed his fingers on the window-pane.
The men in the room went on talking, aimlessly, foolishly, talking to
no purpose. Winterbourne wondered at his own lack of emotion. All his
past life seemed a dream, all his vital interests had become utterly
indifferent, his ambitions were dissolved, his old friends seemed
incredibly remote and unimportant, even Fanny and Elizabeth were
unsubstantial, graceful ghosts. Depression, monotony, boredom—but a
peculiar sort, a strained, worried exasperated sort. For God’s sake get
a move on. It’ll never end, so for the love of Mike let’s get it over.
Let’s catch our little packet. We know our numbers are up, so let’s get
them quickly.
One of the men was whistling:
_“What’s the use of worry-ing?”_
Public-domain text, read in full here on John Shaqi.
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