And Mr. Upjohn, with spasmodic movements, jerked the two easels round
to the wall. There was a short pause in the conversation. Mr. Upjohn
irritatedly cast himself at full length upon a sofa, and spasmodically
ate candied apricots. He placed them in his mouth with his forefinger
and thumb, holding his elbow at a right angle to his body, with his
chin far extended; and bit them savagely in half. George watched this
impressive and barbaric spectacle with the interest of one who at last
discovers the meaning of the mysterious rite of Urim and Thummim. A
timid effort at making conversation was repelled by Mr. Upjohn, with a
gesture which George interpreted as meaning that Mr. Upjohn required
complete silence to digest and sweeten with candied apricots the memory
of George’s treasonable obtuseness. Suddenly George started, for Mr.
Upjohn, after coughing once or twice, swung himself from his couch
with incredible swiftness, hawked vigorously, flung open a window with
unnecessary violence and spat voluminously into the street. He then
turned and said calmly:
“You’d better come along to fat Shobbe’s.”
George, who was young enough to enjoy going to miscellaneous parties,
gratefully acquiesced; and was still further gratified by being allowed
to witness the strange and complex ablutions performed by Mr. Upjohn
from a wash-basin startlingly concealed in a veneered mahogany tail-boy.
Mr. Upjohn was evidently a very clean man, at least in those portions
of his body exposed to the public gaze. He washed and rinsed his
face thoroughly, brushed his teeth until George apprehended lest the
bristles be worn to the bone, gargled and spat freely. He soaped and
pumiced his hands, which were large, yellow and slightly spatulate; and
excavated his nails with singular industry and pertinacity. He then sat
down before a folding table-mirror in three parts, which reflected both
profiles as well as full-face and combed and brushed and re-brushed
and re-combed his coarse hay-like hair until it crackled with induced
electricity. When Mr. Upjohn judged that hygiene and beauty-culture
had received their full due, he arrayed himself in a clean collar, a
tie of remarkable lustre and size, and a narrow-waisted rather long
coat which, taken in conjunction with the worn but elegant peg-top
trousers he had on, gave him a pleasantly rake-helly and Regency look.
This singular scene, which occupied the better part of an hour, was
conducted by Mr. Upjohn with great gravity, varied by the emission of a
singular and discordant chant or hum, and wild petulant oaths whenever
any object of the toilet or of his apparel did not instantly present
itself to his hand. Oddly enough, Mr. Upjohn was not a sodomist. He was
a professedly ardent admirer of what our ignorant forefathers called
the soft sex. Mr. Upjohn often asserted that after the immense toils of
Suprematist painting nothing could rest him but the presence of several
beautiful women.
Public-domain text, read in full here on John Shaqi.
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