Deborah: A tale of the times of Judas MaccabaeusLudlow, James M. (James Meeker)
History
Deborah: A tale of the times of Judas Maccabaeus
Ludlow, James M. (James Meeker)
Jewish fiction; Jews -- History -- 586 B.C.-70 A.D. -- Fiction; Maccabees -- Fiction
Helena's figure had evidently once been of that perfect balance which
makes the impression of being without weight, and which, with the
aid of proper draperies, gives the illusion of floating in the air.
But her body had clearly taken on solidity, and a distribution of
substance better adapted to one who would pose in stateliness than to
one who would play the sylph. There is a grace of motion and another
grace of inertia. Very young persons ordinarily monopolize the former;
the latter is the compensation which nature gives for advancing
years. Helena did not realize the grade she had attained in beautiful
womanhood--not an uncommon inadvertence of her sex. Otherwise she
danced with faultless art--art evidently acquired only through careful
instruction and lengthened practice; the art which, according to
Glaucon, was forbidden to princely personages and free-born women among
the Greeks. Her performance ended in an attitude illustrative of the
closing lines of the song, in which the singer accepts the embrace of
her lover. Helena's face flushed with the excitement of the exercise.
Her eyes flickered unsteadily through the effect of the wine. As the
last note died upon her lips she reached out her hands to Glaucon.
Whether the Jew was dazed by the superb acting, or by the unexpected
revelation on the part of the actress, we may not say--but dazed he
seemed, for he sat stupidly still.
His irresponsive look startled, if it did not sober, the dancer.
She gazed about her; put her hand to her head, as if to realize her
identity; and, tripping upon the robe which she had dropped from her
hand, fell into her seat.
"I must be ill," she said. "Give me--give me--some wine."
One by one her guests, with such semblance of courtesy as the Princess'
condition allowed them to render, took their departure; but not until
one of the dancing women was heard to declare:
"I will bet my garters that she is none other than the great Clarissa
herself; for I am sure that the old Queen of the Grove of Daphne could
not have done it better. Did you catch the trill?"
"Aye, and the long step and the short one. 'Beauty's Limp' they call
it. Clarissa invented that, and all the girls in the Grove practised
it; but they say that nobody could do it perfectly except herself."
"I think that the Princess did it splendidly, except that her flesh
wobbled; she's too fat."
"What became of the Queen of the Grove?"
"I have heard that she went away with General Apollonius. I will wager
my silver anklets against your bronze ones that Clarissa came down
to Jerusalem when Apollonius was killed, and that she has been taken
up by that fig-headed fellow who ordered the drink. The Princess!
Ha, ha! She's the Queen--our Queen of Daphne! If she comes out again
I will fall down at her feet, and bite off a piece of her big toe to
carry back to Antioch as a memento; that is, if we ever get out of this
Jewish hole."
Public-domain text, read in full here on John Shaqi.
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