Decadence, and Other Essays on the Culture of IdeasGourmont, Remy de
Philosophy
Decadence, and Other Essays on the Culture of Ideas
Gourmont, Remy de
French essays -- Translations into English; Philosophy
Imaginative intellectual creation is inseparable from the frequency
of the subconscious state, and in this category of creations must
be included the discovery of the scientist and the ideological
construction of the philosopher. All who have invented or discovered
something new in any field whatsoever, are imaginatives as well
as observers. The most deliberate, the most thoughtful, the most
painstaking writer is constantly, and in spite of himself, enriched
by the effort of the subconscious. No work is so completely a product
of the will that it does not owe some beauty or novelty to the
subconscious. No sentence, perhaps, however worked over, was ever
spoken or written in absolute accord with the will. The search for the
right word in the vast, deep reservoir of verbal memory is itself an
act which escapes so completely from the control of the will, that very
often the word on its way flees at the very moment when consciousness
is about to perceive and to grasp it. Everyone knows how hard it is to
find, by sheer force of will, the word wanted, and also with what ease
and rapidity certain writers summon up, in the heat of composition, the
rarest or the most appropriate words.
It is, however, imprudent to say: "Memory is always unconscious."[4]
Memory is a secret pool where, unknown to us, the subconscious casts
its net. But consciousness fishes there quite as readily. This pond,
full of chance fish previously caught by sensation, is particularly
well known to the subconscious. Consciousness is less skilful in
provisioning itself from this source, though it has at its service
several useful tricks, such as the logical association of ideas and
the localization of images. Man acquires a different personality,
according as the brain works in the darkness or by the lantern-light
of consciousness; but, save in pathological cases, the second of
these states is not so well defined that the first cannot intervene
without interrupting the effort. It is under these conditions, and in
accordance with this concert, that most works conceived, in the first
instance either by the will or by the dream faculty, are completed.
Public-domain text, read in full here on John Shaqi.
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