Decadence, and Other Essays on the Culture of IdeasGourmont, Remy de
Philosophy
Decadence, and Other Essays on the Culture of Ideas
Gourmont, Remy de
French essays -- Translations into English; Philosophy
Like Hartmann, but instinctively, and not, in his case, by philosophic
preconception, Alfred de Vigny entrusted to the subconscious the
nurture of his ideas. When they were ripe, he recovered them. They
came back of their own accord to offer themselves rich with all the
consequences of their secret burgeoning. It may be supposed that, like
Goethe, he was a subconscious whose promissory notes were on very
long time, since Vigny left, between certain of his works, unusually
long intervals. It is highly probable that, if there are individuals
whose subconsciousness is inactive, there are others who, after a
period of activity, cease suddenly to produce, either as a result of
premature exhaustion, or through a modification in the relations of
the brain cells. Racine offers the singular example of a twenty years'
silence broken just halfway by two works which have only a formal
resemblance to those of his first phase. Can it be supposed that it
was through religious scruple that he so long refused to listen to the
suggestions of the subconscious? Can it be supposed that religion,
which had modified the nature of his perception, had, at the same time,
diminished the physiological power of his brain? Such a supposition
would run counter to all other observations, which go to show, on the
contrary, that a new belief is a new excitant. It seems, then, probable
that Racine became silent simply because he had almost nothing more
to say. It is a common adventure, and he found in religion the common
consolation.
A distinction should then be made between two sorts of subconscious
individuals--those whose energy is short-lived and strong, and those
whose force is less ardent but more sustained. The two extremes are
exemplified by the man who produces a remarkable work in his early
youth, then ceases, and by the man who offers for sixty years the
spectacle of a mediocre, useless and continuous effort. I am speaking,
of course, of those works in which the imaginative intelligence
plays the major part--works in which the subconscious is always the
master-collaborator.
Public-domain text, read in full here on John Shaqi.
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