Decadence, and Other Essays on the Culture of IdeasGourmont, Remy de
Philosophy
Decadence, and Other Essays on the Culture of Ideas
Gourmont, Remy de
French essays -- Translations into English; Philosophy
[1] Suggested by _Physiologie cérébrale: Le Subconscient chez les
artistes, les savants, et les écrivains_, by Dr. Paul Chabaneix,
Paris, J.-B. Baillière. This study was already written when M. Ribot's
masterly work, _L'Imagination créatrice_ (July, 1900), appeared.
[2] See in a dream related by Maury (_Le Sommeil et les Rêves_) the
word _jardin_ causing the dreamer to visit Persia, then to read _L'Ane
mort_ (Jardin, Chardin, Janin); and in another dream, the syllable lo
conducting the mind from the word _kilomètre_ to _loto_, viâ _Gilolo,
lobélia, Lopez_. However, the poet (by reason of rhyme or alliteration)
experiences similar associations, but he must have the ability to
render them logical, a thing which rarely happens in dreams pure and
simple. Victor Hugo, a veritable incarnation of the Subconscious,
rioted in these associations, which were at first involuntary.
[3] With regard to dreams, M. Chabaneix says (p. 17) that those who
often think in visual images are subject to dreams in which the images
are objectified in amplified form. A personal observation contradicts
this, but in mentioning it I am only opposing a single observation to
many observations. I refer to a writer who, although besieged, when
awake, by internal visual images, sees images but rarely in dreams and
never has any characteristic hallucinations. Recently, having reread
Maury's book during the day, he experienced that night, for the first
time, two or three vague hypnotic hallucinations, caused doubtless by
the desire or fear of knowing this state.... This case may serve to
explain the contagion of hallucination by books.--He saw kaleidoscopic
flashes, then grinning heads, finally a figure clad in green, of life
size, of whom the dreamer, looking out of the corner of his right eye,
saw only one-half. At this moment, he was awaking. The figure evidently
came from an illustrated history of Italian painting, which he had
glanced at in the forenoon.
[4] _Le Subconscient_, p. 11.
[5] Letter to W. von Humboldt, 17 March, 1832 (_Le Subconscient_, p.
16). Goethe was then eighty-three; he died five days later. The whole
letter is quoted by Eckermann.
[6] _Le Subconscient_, p. 24.
[7] Preface to _Le Subconscient_.
[8] Jahm, quoted in _Le Subconscient_, p. 93.
[9] _Psychologie des Sentiments_.--W. von Humboldt said: "Reason
combines, modifies and directs; it cannot create, because the vital
principle is not in it" (_Ideas on the New French Constitution_).
THE ROOTS OF IDEALISM
I
Since writing, in _Physique de l'Amour_, the chapter on "The Tyranny
of the Nervous System," with its criticism of Lamarck's saying, "the
environment creates the organ," I have come to conceive some doubts on
the legitimacy of my ideas. I am going to state them without definitely
taking sides either against myself or against subjective idealism, to
which in the last analysis I remain in large part faithful.
Public-domain text, read in full here on John Shaqi.
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