Decadence, and Other Essays on the Culture of IdeasGourmont, Remy de
Philosophy
Decadence, and Other Essays on the Culture of Ideas
Gourmont, Remy de
French essays -- Translations into English; Philosophy
The senses should, then, correspond to external realities. They have
been created, not by the perceiving being, but by the perceptible
environment. It is the light that has created the eye, just as, in
our houses, it has created the windows. Where there is no light,
fish become blind. This is perhaps the direct proof, for if light is
the creation of the eye, this creation can occur at the bottom of
the sea quite as well as on the surface of the earth. Another proof:
these same fish, having become blind, but still requiring a luminous
habitat, create for themselves in the night of the abysses, not eyes,
but apparatus directly productive of light; and this artificial light
creates anew the atrophied eye. The senses are then clearly the product
of the environment. That is all they can do, moreover, their utility
being nil, if the environment is not perceptible. It might still be
objected that it is the nervous system which, having intuition of an
environment to be perceived, creates for itself organs adapted to this
perception. But this is merely begging the question; for, either the
nervous system has knowledge of the external environment, which means
that it already has senses, or else it has no senses, and thus can
have no knowledge. A more serious objection would be that, sensorial
aptitude being a property of the nervous system, it would afterwards
create for itself organs in order to perceive more distinctly, and
clearly differentiated, the various natural phenomena. This view would
explain up to a certain point the creation of sensorial organs, but
not the existence of the senses themselves as sensitive power. It is,
moreover, certain that the nervous system acts rather by tyrannizing
the organs at its disposal, than by seeking to modify these organs or
to create new ones. It is a power which evidently exceeds the limits
of its capacity. It has, on the contrary, devolved upon the external
phenomena which, in acting mechanically on the living matter, produce
in it local modifications. The organs of the senses seem to be nothing
other than surfaces sensitized by the very agents which, once their
work is done, will reflect in them their particular physiognomy. The
eye--let us take once more this example, and repeat it--is a creation
of light.
Since they are themselves the work of the principal general
phenomena, the senses ought then to agree exactly--allowing for
approximation--with the very nature which has created them. The
luminous environment is not, in this case, a dream, but a reality, and
a reality existing prior to the eye which perceives it; and, since the
eye is the very product of light, objects situated in this luminous
environment should be perceived by it as an exact image, just as the
drill which creates a hole, creates it strictly to its size, its form,
its image. Bacon said that the senses are holes. Here this is only a
metaphor.
IV
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