Decadence, and Other Essays on the Culture of IdeasGourmont, Remy de
Philosophy
Decadence, and Other Essays on the Culture of Ideas
Gourmont, Remy de
French essays -- Translations into English; Philosophy
Arising, as a reciter, before the creator, woman formed a repertory,
a library, archives. The first song-book was woman's memory, and it
is the same with the first collection of tales, the first bundle of
documents.
However, the invention of writing came, like all progress,
successively, to diminish woman's importance as archivist. Since
everything that seemed worth remembering was fixed by signs on
durable matter, it became woman's duty and pleasure to perpetuate
what men condemned to oblivion. She has performed faithfully a task
that matter has almost always betrayed; and so it is that tales which
were never written, and which assuredly go back to the earliest ages,
have come down to us. Women who had been entertained by them as
children, entertained their own children with them in turn. In spite
of the efforts of rational pedagogy, which would like to substitute
the history of the French Revolution, or that of the founding of the
German Empire, for _Tom Thumb_, mothers still put their good children
to sleep with blue story or red, of love or of blood. But this oral
literature, whose themes are so much more numerous than those of
written literature, has been found to possess the greatest beauty,
and consequently a supreme importance. We owe the salvaging of this
treasure to woman's conservative genius.
She conserved also the songs, the tunes (and the dances accompanying
them) which man sheds at the very moment when he leaves his youth. For
him they are futilities, and he never gives them another thought. For
woman, they are means of pleasing and she remembers them always. When
hope has departed, she falls back upon them to live again the happy
days of her youth. Thus do old women keep their hearts young.
Women do not seem to have had a great share in the invention of tales
and of songs. They have preserved, which is a way of creating. Yet one
finds, nevertheless, the mark of their mind in certain variants. Their
tendency was to tone down the end of a tale, to quiet the effervescence
of a song too rollicking. This invention saved the life of many of
these small things, by making them available to children, whose memory
is an exceedingly sure casket.
Public-domain text, read in full here on John Shaqi.
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