Jewelry theft -- Fiction; London (England) -- Social life and customs -- 20th century -- Fiction; Love stories; Mystery fiction
But the odd sense of romance persisted when the effect of the dry
Martinis must certainly have worn off. It was something such as
Craven had never known, or even imagined before. He had had his little
adventures, and about them had thrown the woven robes that gleam with
prismatic colours; he had even had deeper, passionate episodes--as he
thought them--in his life. As he had acknowledged in the _Ristorante
Bella Napoli_ he had seldom or never started on a journey abroad without
a secret hope of romance meeting him on the way. And sometimes it had
met him. Or so he had believed at the time. But in all these episodes of
the past there had been something definitely physical, something almost
horribly natural, a prompting of the body, the kind of thing which
belongs to youth, any youth, and which any doctor could explain in a few
crude words. Even then, in those now dead moments, Craven had sometimes
felt sensitive youth’s impotent anger at being under the yoke which is
laid upon the necks of innumerable others, clever, dull, aristocratic,
common, the elect and the hopelessly vulgar.
In this new episode he was emancipated from that. He was able to feel
that he was peculiar, if not unique. In the strong attraction which drew
him towards Lady Sellingworth there was certainly nothing of the--well,
to himself he called it “the medically physical.” Something of the body
there might possibly be. Indeed, perhaps it was impossible that there
should not be. But the predominant factor had nothing whatever to do
with the body. He felt certain of that.
When he got home from the Club he found on his table a note from Beryl
Van Tuyn:
HYDE PARK HOTEL, Thursday.
My dear Mr. Craven,--What a pity you couldn’t get away last night.
But you were quite right to play Squire of Dames to our dear Lady
Sellingworth. We had a rather wonderful evening after you had gone. Dick
Garstin was in his best vein. Green chartreuse brings out his genius in
a wonderful way. I wish it would do for me what it does for him. But
I have tried it--in small doses--quite in vain. He and I walked home
together and talked of everything under the stars. I believe he is going
to paint me. Next time you make your way to the Bella Napoli we might
go together. Two lovers of Italy must always feel at home there, and
the sight of Vesuvius is encouraging, I think. So don’t forget that my
“beat,” as you call it, often lies in Soho.
Isn’t dear Adela Sellingworth delightful? She looked like a wonderful
antique in that Italian frame. I love every line in her face and would
give my best bronze to have white hair like hers. But somehow I am
almost glad she didn’t fall to the Cafe Royal. She is right. It is too
Georgian for her. She is, as she says, definitely Edwardian and would
scarcely understand the new jargon which comes as easily as how d’you do
to _our_ lips.
By the way, coming out of the Cafe Royal last night I saw a living
bronze.--Yours,
BERYL VAN TUYN.
Public-domain text, read in full here on John Shaqi.
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