Jewelry theft -- Fiction; London (England) -- Social life and customs -- 20th century -- Fiction; Love stories; Mystery fiction
Miss Van Tuyn felt very angry with Lady Sellingworth. She was less angry
with Craven. Indeed, she was not sure that she was angry with him at
all. He was several years older than herself, but she began to think of
him as really very young, as much younger in mind and temperament than
she was. He was only a clever boy, susceptible to flattery, easily
influenced by a determined will, and probably absurdly chivalrous. She
knew the sort of chivalry which was a symptom really of babyhood in
the masculine mind. It was characteristic of sensitive natures, she
believed, and it often led to strange aberrations. Craven was only a
baby, although a baby of the world, and Adela Sellingworth with her
vast experience had, of course, seen that at a glance and was now busily
playing upon baby’s young chivalry. Miss Van Tuyn could almost hear the
talk about being so lonely in the big house in Berkeley Square, about
the freedom of men and the difficulty of having any real freedom when
one is a solitary woman with no man to look after you, about the tragedy
of being considered old when your heart and your nature are really still
young, almost as young as ever they were. Adela Sellingworth would know
how to touch every string, would be an adept at calling out the music
she wanted. How easily experienced women played upon men! It was really
pathetic! And as Craven had thought of protecting Lady Sellingworth
against Miss Van Tuyn, so now Miss van Tuyn felt inclined to protect
Alick Craven against Lady Sellingworth. She did not want to see a nice
and interesting boy make a fool of himself. Yet Craven was on the verge
of doing that, if he had not already done it. Lady Wrackley and Mrs.
Ackroyde had seen how things were, had taken in the whole situation in
a moment. Miss Van Tuyn knew that, and in her knowledge there was
bitterness. These two women had seen Lady Sellingworth preferred before
her by a mere boy, had seen her beauty and youth go for nothing beside a
woman of sixty’s fascination.
There must be something quite extraordinary in Craven. He must be
utterly unlike other young men. She began to wonder about him intensely.
On the following morning, as usual, she went to Glebe Place to take what
she had called her “lesson” from Dick Garstin. She arrived rather early,
a few minutes before eleven, and found Garstin alone, looking tired and
irritable.
“You look as if you had been up all night,” she said as he let her in.
“So I have!”
She did not ask him what he had been doing. He would probably refuse to
tell her. Instead she remarked:
“Will you be able to paint?”
“Probably not. But perhaps the fellow won’t come.”
“Why not. He always--” She stopped; then said quickly, “So he was up all
night too?”
“Yes.”
“I didn’t know you knew him out of the studio.”
“Of course I know him wherever I meet him. What do you mean?”
“I didn’t know you did meet him.”
Public-domain text, read in full here on John Shaqi.
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