Jewelry theft -- Fiction; London (England) -- Social life and customs -- 20th century -- Fiction; Love stories; Mystery fiction
So that was Nicolas Arabian, the man all the women in the Coombe set
were gossiping about! She could not see him very well. He was rather
a long way off, and two moving people, a waitress carrying food, an
Italian man going to speak to a gesticulating friend, intervened and
shut him out from her sight while he was still arranging the coats. But
there was something in his profile, something in his movement and in
the carriage of his head which seemed familiar to her. And she drew her
brows together, wondering. Craven spoke to her through the music. She
looked at him, answered him. Then once more she glanced down the room.
Beryl and Arabian had sat down. Beryl was facing her. Arabian was at the
side. Lady Sellingworth still saw him in profile. He was talking to the
waitress.
“I am sure I know that man’s face!” Lady Sellingworth thought.
And she expressed her thought to Craven.
“If that is Nicolas Arabian I think I must have seen him about London,”
she said. “His side face seems familiar to me somehow.”
Why would not Beryl look at her?
“I wonder whether Beryl saw me when she came in,” continued Lady
Sellingworth. “She saw you, of course.”
“Yes, she saw me.”
From the sound of Craven’s voice, from the constraint of his manner,
Lady Sellingworth gathered the knowledge that her evening was spoilt.
A few minutes before she had been quivering with anxiety, had been
struggling to conquer the melancholy which, she knew, put her at a
disadvantage with Craven, had been seized with despair as she compared
her fate with his. Now she looked back at that beginning of the evening
and thought of it as happy. For Craven had seemed contented then. Now he
was obviously restless, ill at ease. He never looked down the room.
He devoted himself to her. He talked even more than usual. But she was
aware of effort in it all, and knew that his thoughts were with Beryl
Van Tuyn and the stranger who seemed vaguely familiar to her.
Formerly--with what intensity she remembered, visualized, the
occasions--Craven had been restless with Beryl Van Tuyn because he
wished to be with her; now he was restless with her. And she did not
need to ask herself why.
This remembrance made her feel angry in her despair. Her hatred of Beryl
revived. She recalled the girl’s cruelty to her. Now Beryl had been
cruel to Craven. And yet Craven was longing after her. What was the good
of kindness, of the warm heart full of burning desires to be of use, to
comfort, to bring joy into a life? The cruel fascinated, perhaps were
even loved. Men were bored by any love that was wholly unselfish.
But was her love unselfish? She put that question from her. She felt
injured, wounded. It was difficult for her any longer to conceal her
misery. But she tried to talk cheerfully, naturally. She forced her lips
to smile. She praised the excellence of the cooking, the efforts of the
musicians.
Public-domain text, read in full here on John Shaqi.
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