Jewelry theft -- Fiction; London (England) -- Social life and customs -- 20th century -- Fiction; Love stories; Mystery fiction
Craven went away from Berkeley Square that night still under the
spell and with a mind unusually vivid and alive. As he had told Lady
Sellingworth, he was now twenty-nine and no longer considered himself
young. At the F.O. there are usually a good many old young men, just as
in London society there are always a great many young old women. Craven
was one of the former. He was clever, discreet and careful in his work.
He was also ambitious and intended to rise in the career he had chosen.
To succeed he knew that energy was necessary, and consequently he
was secretly energetic. But his energy did not usually show above the
surface. Tradition rather forbade that. He had a quiet, even a lazy
manner as a rule, and he thought he often felt old, especially in
London. There was something in the London atmosphere which he considered
antagonistic to youth. He had felt decades younger in Italy, especially
when his ambassador had taken him to Naples in summer-time. But that was
all over now. It might be a long time before he was again attached
to an embassy.
When he reached his rooms, or, rather, his flat, which was just off
Curzon Street, he went to look at his bookshelves, and ran his finger
along them until he came to the poems of William Watson, which were next
to Rupert Brooke’s poems. After looking at the index he found the lyric
he wanted, sat down, lit his pipe, and read it four times, thinking of
Lady Sellingworth. Then he put away the book and meditated. Finally--it
was after one o’clock--he went almost reluctantly to bed.
In the morning he, of course, felt different--one always feels different
in the morning--but nevertheless he was aware that something definite
had come into his life which had made a change in it. This something was
his acquaintance with Lady Sellingworth. Already he found it difficult
to believe that he had lived for twenty-eight years without knowing her.
Public-domain text, read in full here on John Shaqi.
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