“On the way through, the big, powerful old girl bucked and rocked and reared until we men and the black cat inside her were thrown again and again into a jumble, the cat scratching us like a devil in her frenzy of fear. “Closed up in the tank as we were, we could hear the roar and crash of the falling ‘mill,’ and from my observation port-hole I could observe that it was most complete. The place had been reduced to a mere heap. Not a shot came out of it at us. SHE DEFIES CONTROL “But still the ‘Razzle Dazzle’ was having her own way. Her motorist was signaling me that he had no control of her. This was cheerful intelligence because right ahead was a huge shell crater. She might slide into it and climb up the other side and out. I hoped so. But she didn’t. She hit the bottom of the pit, tried to push her way up and out, fell back, panted, pushed up again, fell back and then just stuck at the bottom of the well, throbbing and moaning and maybe penitent for her recklessness. “Penitence wasn’t to do her any good. It wasn’t five minutes later when the Germans had the range of her and began smashing us with big shells. I ordered my men to abandon her and led them in a rush out of the crater and into small shell holes until the storm of fire was past. “When it was, ‘Razzle Dazzle’ was a wreck. She was cracked, distorted and shapeless. But the runaway engine was still plainly to be heard throbbing. Finally a last big shell sailed into the doughty tank and there was a loud bang and a flare. Her oil reservoir shot up in an enormous blaze. “‘Razzle Dazzle’ was no more. But she had accounted for the ‘refinery.’ And our infantry had done the rest. The German position was ours. “I was all enthusiasm for fighting ‘tanks.’ But my superiors squelched it. For when I asked for command of a sister of ‘Razzle Dazzle’ next day, a cold-eyed aide said to me: “‘One tank, worth ten thousand pounds, is as much as any bally young officer may expect to be given to destroy during his lifetime. Good afternoon.’” THE PAINTER SOLDIER Though Exempt by Age the Love Art Deepened Bade Him Fight for France Elsewhere in this volume is told how an American poet, Alan Seeger, gave his life for France. Here is the story of a French painter who, freely offering his life, gave what was even more precious to him than life. You may know the name Lemordant, and you may know the work signed by that name; if not, what pleasanter introduction to both than some words by Mary Fanton Roberts in the _Touchstone_? She says: