Deeds that Won the Empire: Historic Battle ScenesFitchett, W. H. (William Henry)
History
Deeds that Won the Empire: Historic Battle Scenes
Fitchett, W. H. (William Henry)
Battles -- Great Britain; Great Britain -- History, Military; Great Britain. Army -- History
The dreadful scenes on the decks of the _Santissima Trinidad_ might
almost have been paralleled on some of the British ships. Thus the
_Belleisle_, Collingwood's immediate supporter, sustained the fire of
two French and one Spanish line-of-battle ships until she was
dismasted. The wreck of her mizzen-mast covered her larboard guns, her
mainmast fell upon the break of the poop; her larboard broadside was
thus rendered useless; and just then another French line-of-battle
ship, the _Achille_, took her position on the _Belleisle's_ larboard
quarter, and opened on her a deadly fire, to which the British ship
could not return a shot. This scene lasted for nearly an hour and a
half, but at half-past three the _Swiftsure_ came majestically up,
passed under the _Belleisle's_ stern--the two crews cheering each
other, the _Belleisle's_ men waving a Union Jack at the end of a pike
to show they were still fighting, while an ensign still flew from the
stump of the mainmast--and the fury with which the _Swiftsure_ fell
upon the _Achille_ may be imagined. The _Defiance_ about the same time
took off the _Aigle_, and the _Polyphemus_ the _Neptune_, and the
much-battered _Belleisle_ floated free. Masts, bowsprit, boats,
figure-head--all were shot away; her hull was pierced in every
direction; she was a mere splintered wreck.
The _Temeraire_ fought a battle almost as dreadful. The _Africa_, a
light ship carrying only sixty-four guns, chose as her antagonist the
_Intrepide_, a French seventy-four, in weight of broadside and number
of crew almost double her force. How dreadful were the damages
sustained by the British ship in a fight so unequal and so stubborn may
be imagined; but she clung to her big antagonist until, the _Orion_
coming up, the _Intrepide_ struck.
Public-domain text, read in full here on John Shaqi.
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